Cambria Press Publication Review: Contents Tourism in Japan

Congratulations to Philip Seaton (Tokyo University), Takayoshi Yamamura (Hokkaido University), Akiko Sugawa-Shimada (Yokohama National University), and Kyungjae Jang (Hokkaido University) on the outstanding review of their book, Contents Tourism in Japan: Pilgrimages to “Sacred Sites” of Popular Culture, in the journal Tourist Studies.

9781604979732front

The review praises the book, which includes 100 color images, noting that:

This is rich analysis. It not only proposes an approach for analysing how people and places benefit from content tourism, it convincingly applies its framework to provide valuable insights for those interested in Japanese history and culture, and for modern and international media and tourism scholars. The authors draw on an extremely wide range of sources to develop their method, and to illustrate content tourism in Japan using their own research, including many illustrative photographs of people, derivative content and places. In all, Contents Tourism in Japan provides a new understanding of how people in Japan have used the popular culture of their day as inspiration to travel, enhancing their enjoyment of their favourite content and transferring economic benefits upon the producers of the content and the places associated with it.”

This book is a must-read for those in Japan studies, media studies, popular culture, and tourism studies.

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Celebrating Taiwan, home to some of the richest Sinophone literature in the world

Today on Taiwan’s National Day, we celebrate this important, vibrant island, which has given us—as Jonathan Stalling aptly puts it in Contemporary Taiwanese Women Writers—”some of the richest Sinophone literature in the world.” Stalling elaborates that “unfixed, vibrant, and deeply engaged with a sense of place, Taiwanese writers—from the experimental poetry pioneer Hsia Yu to younger multimedia poets like Ye Mimi to powerhouse authors like Li Ang and Chu T’ien-wen—are continually pushing the boundaries of the possible and unlocking new directions for Sinophone literature in the twenty-first century.”

Stalling

Taiwan’s literary history is just as unique, as seen in Chia-rong Wu’s fascinating study, Supernatural Sinophone Taiwan and Beyond, which explores “the discourse of the supernatural and beyond in response to the historical overview of Sinophone Taiwan.” Wu explores the zhiguai 志怪 genre and shows us how “ghost haunting may be allegorically associated with the historical, political, cultural, and even sexual dimensions of the world of the living.”

Supernatural Sinophone Taiwan

In showcasing the world of the living in Taiwan, Hou Hsiao-hsien is “considered by many cinema aficionados to be one of the most innovative, provocative, and enthralling directors,” as Christopher Lupke notes in The Sinophone Cinema of Hou Hsiao-hsien and further remarks that “linguistically and culturally speaking Hou Hsiao-hsien necessarily dwells in contested terrain, in the political penumbra between state and region, between national culture and transnational identity.”

Hou Hsiao-hsien

Supernatural Sinophone Taiwan and Beyond and The Sinophone Cinema of Hou Hsiao-hsien are part of the Cambria Sinophone World Series, headed by Professor Victor Mair (University of Pennsylvania).

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Asian Security – 3 Essential Books

Asian Security

The Gathering Pacific Storm

Emerging US-China Strategic Competition in Defense Technological and Industrial Development

Tai Ming Cheung and Thomas G. Mahnken

The U.S. has enjoyed overwhelming military technological superiority in the post-Cold War era, but China has begun to chip away at this dominance. As distrust and strategic rivalry becomes more prominent in US-China relations, this is helping to turn what had previously been parallel but separate military research and development efforts by both countries into a directly connected competition. This contest for leadership in defense technology and innovation promises to be a long-term and highly expensive endeavor for the United States and China.

Examining the nature of the US-China defense technological competition requires a more comprehensive and nuanced understanding of the complex military, economic, innovation, and other drivers at play. Moreover, this technological race is still in the early stages of development and can be expected to grow larger, more complex, and more intense, so The Gathering Pacific Storm: Emerging US-China Strategic Competition in Defense Technological and Industrial Development, edited by by Tai Ming Cheung and Thomas G. Mahnken, provides an invaluable resource for understanding the origins and patterns of competition in different domains.

Cheung-Mahnken Front Cover

“This is a timely, thought provoking book on the state of the increasingly heated military-technological competition between the United States and its great power rivals, China and Russia. Coming on the heels of new National Security and Defense strategies that emphasize the return of great power competition, it is essential reading for those concerned about the erosion of U.S. military-technical advantage. Dr. Cheung and Dr. Mahnken’s book is sure to provide an important intellectual foundation for debate over this important issue. Highly recommended!” –Robert Work, 32nd Deputy Secretary of Defense and CEO of the Center for a New American Security (CNAS)

Trust and Distrust in Sino-American Relations

Challenge and Opportunity

Steve Chan

Trust is a concept that ought to be at the front and center of international relations research. It is pivotal to how states interpret the actions of others and decide their own policies. Mutual distrust can set off a spiral of competitive dynamics as a consequence of reciprocal misinterpretation of each other’s intentions. At the same time, misplacing one’s confidence in a state that is actually untrustworthy can seriously jeopardize a country’s security. Yet despite its analytic and policy importance, only a few books have given systematic attention to this pivotal concept.

Trust and Distrust in Sino-American Relations: Challenge and Opportunity by Steve Chan fills that gap by addressing the question of how states acquire a reputation for trustworthiness—or untrustworthiness—in the eyes of others. It focuses especially on the relationship between China and the U.S., the two most consequential countries in today’s world, offering a systematic framework for analyzing their level of trust, and examining how ongoing trends and prospective developments may foster or undermine this relationship. In this, it provides a new approach to the subject by applying theoretical insights and empirical generalizations from the international relations literature to the case of Sino-American relations.

Chan Front Cover

“Steve Chan, a leading scholar of Chinese foreign policy, has once again come up with an excellent book, this time on the topic of ‘trust.’ In this succinctly written book, he provides a very rich theoretical and empirical discussion of trust and mistrust in international relations with the use of Sino-US relations as empirical case study. A valuable addition to both IR theory and the study of China’s foreign relations.” —T.V. Paul, James McGill Professor of International Relations, McGill University

A New Strategy for Complex Warfare

Combined Effects in East Asia

Thomas A. Drohan

A New Strategy for Complex Warfare: Combined Effects in East Asia by Thomas A. Drohan develops new theory for superior strategy in complex warfare. The approach is comprehensive and practical, and it is applied to three contemporary security crises involving the United States, China, the Koreas, and Japan. Beginning with existing theories on strategy and culture, a new interpretation of “combined effects strategy” is introduced based on research and years of experience.

Unlike previous works, this study considers security culture as a way to understand warfare conceived and waged broadly: patterns of confrontation and cooperation, threat perception and assessment, and strategic effectiveness. In addition, for the first time, contemporary crises detail the interaction of strategies operating as lines of effect which when combined, create powerful synergies. A summary analysis of each case develops implications for future strategy. The concluding chapter is unique in its discussion of the influence of security culture on operational concepts, when lines of effect combine, and how security culture informs combined effects strategy, particularly for the United States.

Drohan Front Cover

“Few works have succeeded as much as this one at succinctly explaining centuries of Asian cultural history and contextualizing that history to current security issues in the region. Members of the security community will greatly benefit from this unique perspective. … Drohan excels in explaining the implications cultural histories have for US security strategy and prescribes both philosophical and pragmatic changes practitioners should make. ” —Parameters

These books are in the Rapid Communications in Conflict and Security (RCCS) Series (General Editor: Geoffrey R.H. Burn).

RCCS Series Last Page

Watch the short video by Cambria Press for books and authors in this series.

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#lutopelomuseunacional: The Museo Nacional de Brasil and how it preserved African Heritage and Memories of Slavery in Brazil

The loss of the Museo Nacional de Brasil (National Museum of Brazil) is simply devastating. As The New York Times noted “some items in the collection are irreplaceable to science, as well as the country’s national memory.”

Long before the tragic fire, Mariza de Carvalho Soares, a Brazilian historian and researcher at the CNPq/MCT (Brazilian national endowment agency), who has also been the curator of the African collection at the Museu Nacional de Brasil since 2012, underscored the importance of the museum to Brazil’s national memory because its artifacts lent “urgent voices to the need to deconstruct the memory of Africa in Brazil, a memory still trapped in the rusted chains of slavery and colonial domination.”

The following are excerpts from her chapter “Collectionism and Colonialism: The Africana Collection at Brazil’s National Museum (Rio de Janeiro)” in the book African Heritage and Memories of Slavery in Brazil and the South Atlantic World edited by Ana Lucia Araujo, which help preserve the memory of this beloved institution.

#lutopelomuseunacional

“In Brazil, few museums are known to possess substantial African holdings and give them prominence. … Among the recognized institutions, the collection held at the National Museum is indisputably the oldest and one of the most significant. Its entire ethnographic collection, containing some 40,000 objects, is presently managed by the Ethnology and Ethnography Sector of the Anthropology Department (MN/DA/SEE). Most of its holdings are related to the indigenous populations of Brazil. Yet, it also includes around 700 artifacts from sub-Saharan Africa, gathered under the name National Museum Africana.” (p.19)

“The most significant acquisitions of African artifacts were made during the administrations of Ladislau Netto and Roquette Pinto. Later on, Heloísa Torres gave more emphasis and resources to artifacts representing the legacy of the African presence in Brazil. But these three vibrant researchers shared a common interest not just in anthropology but also in the dynamism of cultural manifestations that transcended the sharply defined models of Western postslave society. They gave importance and prestige to the most diverse forms African-derived objects.

Africana contains important individual pieces, but what stands out in the collection are sets of related objects that, for their antiquity or rarity, deserve special attention. The great majority of the pieces were obtained through private donation, or exchange with other museums, whereas some other items were purchased. In the Sector of Ethnology and Ethnography (hereafter SEE) registry, African artifacts are listed in sequence numbers with their date of acquisition, along with all the other artifacts in the ethnographic archive. The oldest artifacts that have been identified and historically contextualized are the group of presents sent by King Adandozan of Dahomey to Prince Dom João in 1810, including the aforementioned throne. Other objects described by Graham would be equally important, but these were apparently lost.

A notable set of artifacts obtained by purchase is the group of weapons acquired in 1902, during the administration of João Baptista de Lacerda (museum director 1895–1915). It was likely Lacerda’s initiative to purchase the weapons from private collector Alfred Mocquery, who had been sent by the Paris Museum to South America as well as Africa, especially Madagascar.” (p.24)

“Among the various donated artifacts are the set of more than twenty presents from the king of Dahomey, as well as a drum with a zebra-skin head given by a certain Jorge Villares. Little is known about Villares, but it was recorded upon the drum’s entry in 1923 that he claimed the “King of Uganda” had offered him the item to be delivered to the National Museum.” (p.25)

“There are also many objects labeled as African but acquired in Brazil, which are difficult to identify properly. Such is the case of cloths purchased by Heloísa Torres in Bahia, registered as African. One of them, acquired in 1953, belonged to the wife of a Mr. Tibúrcio, member of the Brotherhood of Rosário, a Catholic lay organization for African descendants in the coastal city of Salvador. Another group of objects had been apprehended by the court police from a so-called ‘fortune-telling house,’ as the headquarters of Afro-Brazilian religious groups were known in imperial, nineteenth-century Rio de Janeiro. The police would regularly invade these ‘cult houses’ in search of what they considered suspicious and confiscate objects at hand as proof of the practice of witchcraft. In one such case, a list of apprehended items was sent to the National Museum bearing the title ‘List of diverse objects encountered in fortune-telling houses, rendered by the police, whose chief was the distinguished Mr. Serafim Muniz Barreto, to the court.’ Among the listed objects were some items that would have come from Africa alongside others made in Brazil by Africans and African descendants in their religious and quotidian pursuits.

Some objects in the museum’s new forthcoming permanent exhibition deserve particular attention. Each of them provides a pathway into the central issue of the role of museums as spaces of engagement with the importance of Africa in the universe of education and research in Brazil. They lend urgent voices to the need to deconstruct the memory of Africa in Brazil, a memory still trapped in the rusted chains of slavery and colonial domination.” (p.26)

This is followed by a section titled “Confronting Memory and History: Three Examples of Africana Artifacts,” which details the following:

  1. The Keaka Mask (1928)
  2. Weapons from the Zambezi River: Herero, Namaqua, and Zulu (1880–1902)
  3. The Gifts from King Adandozan to Dom João (1811)

Mariza de Carvalho Soares concludes her chapter noting the following:

“The violent methods (or in the best of cases, compulsory circumstances) that provided nearly all the objects that today constitute the Africana collection, as well as the African holdings of so many other Brazilian museums, should be brought to the fore and reconsidered. Each of these institutions has the obligation to administer with care and justice the preservation of this heritage, the material legacy of processes that came about at the cost of the blood and suffering of so many Africans. At the same time, the potential of these collections must be channeled into new meanings, marshaling the unjust past into public policies that today foster better understanding of both the history of African peoples and of the diverse connections between Brazil and Africa in the past, present, and future. The most important move at this juncture is to examine these artifacts from a new analytical perspective, to open the study of so-called ethnographic collections to the scrutiny of history. The new parameters that will help define a richer history of Africa can first be applied locally, in the sense of a newly critical gaze on the colonial practices that have too long reigned in the interior of museums themselves.” (p.37)

Araujo Heritage Book Cover

African Heritage and Memories of Slavery in Brazil and the South Atlantic World was published in 2015. A 25% discount is available for the hardcover version (enter coupon code SAVE25 at checkout). There are also e-book versions starting from $8.99.

Book Details

Title African Heritage and Memories of Slavery in Brazil and the South Atlantic World
Editor Ana Lucia Araujo
Book ISBN 9781604978926
Pages 428 (includes illustrations)

Mariza de Carvalho Soares is a Brazilian historian working on slavery, the African diaspora, and African history. She is a researcher at the CNPq/MCT (Brazilian national endowment agency). Since 2012, she has been the curator of the African collection at Museu Nacional (Rio de Janeiro, Brazil) and director of the research project Africana do Museu Nacional (2013–2015) funded by FAPERJ (Rio de Janeiro state endowment agency). In recent years, she has been a research fellow at Vanderbilt University, Yale University, Stanford University, the University of Chicago, and the École des Hautes Études en Sciences Sociales. She is the author of numerous chapters and articles and the author and editor of several books, including People of Faith: Slavery and African Catholics in Eighteenth-Century Rio de Janeiro (2011), which received the Roberto Reis Book Award from the Brazilian Studies Association.

Ana Lucia Araujo is a Professor of History at Howard University. In addition to having published several single-authored monographs and edited volumes, Professor Araujo has edited special issues of the journals Luso-Brazilian Review and Journal of African Diaspora Archaeology and Heritage and published articles in several journals, including Slavery and Abolition, the Luso-Brazilian Review, Ethnologie Française, Ethnologies, Varia História, Lusotopie, Tempo, and the Canadian Journal of Latin America and Caribbean Studies. Professor Araujo is the general editor of the Cambria Press book series Slavery: Past and Present.

Ana Lucia Araujo

Cambria Press Publication Review: The Borderlands of Asia

Congratulations to Professor Mark Bender (The Ohio State University) on the outstanding review of his book, The Borderlands of Asia: Culture, Place, Poetry, in the journal Modern Chinese Literature and Culture (MCLC).

Sinophone

The review states:

In translating these poems into English, the global ‘language of interaction’ (p. xxi), the voices of poets from the borderlands of Asia can be heard by a wider audience. Bender’s informative introduction gives his readers a broad context for understanding the complicated histories and cultures of the areas and the poets included in the volume. ….

In addition to highlighting the ecocritical aspects of the poems in the volume (p. 14), Bender’s introduction contributes to a growing awareness of the peoples and cultures of Zomia and Sinophone communities of the margins. People transform space into place through the process of inhabiting an environment; the cultural adaptability and knowledge they obtain through human interactions help them shape and conceptualize that environment. The different conceptualizations of place in this collection are associated with various histories and ethnic identities. …

In the borderlands of Asia, people suffer from war, economic inequality, and environmental degradation because of modern development and nation-state building. In this collection of poems, we also encounter the anxiety, rage, and trauma felt by the poets and their peoples as they confront the daunting challenges of the nation-state system, modernity, globalization, and the Anthropocene. …

The editor has done impressive work to offer background knowledge for understanding most of the poems, especially the ones from Southwest China. …

Taken together, this work is a timely publication in dialogue with many scholarly trends, including the Sinophone, Zomia, and the Anthropocene, as understood through the medium of poetry. Although the contributors of this collection hail from a variety of nationalities and cultures, they share common difficulties and concerns in their lives. This volume is a crucial contribution to the fields of literary anthropology, literary studies, and Asian studies and is destined to become required reading for students in anthropology and comparative literature.

The Borderlands of Asia is part of the Cambria Sinophone World Series, headed by Victor Mair (University of Pennsylvania).

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Cambria Press Author Interview with Professor Christopher Rea

Before Crazy Rich Asians, there were the Chinese celebrities in the 1930’s. In his latest book Imperfect Understanding: Intimate Portraits of Modern Chinese Celebrities, Professor Christopher Rea (University of British Columbia) takes us into the world of Chinese elites and what they had to say about each other. Louise Edwards, Scientia Professor and Deputy Head of the School of Humanities and Languages at the University of New South Wales, hails Professor Rea’s latest book as “satirical, witty, and compulsive reading.”

So, what did it mean to be a celebrity in modern China? In Imperfect Understanding: Intimate Portraits of Modern Chinese Celebrities, Christopher Rea presents fifty brilliant pen sketches of Chinese cultural and political elites, written and edited in 1934 by Wen Yuan-ning, a Cambridge-educated ethnic Hakka from Indonesia and a master literary stylist. In this interview, Christopher Rea discusses what Imperfect Understanding reveals about the politics fame in China, then and now.

Cambria Press Publication Author Christopher Rea

Question: Professor Theodore Huters (UCLA) has called this collection “an extraordinary artifact of Chinese literary and social history.” Could you please elaborate on this and why it was so important for you to edit this book?

Christopher Rea: I got the idea for Imperfect Understanding: Intimate Portraits of Modern Chinese Celebrities while doing a postdoctoral fellowship at the Australian Centre on China in the World at the Australian National University in 2012. Geremie Barmé, the Director of the Centre, invited me to co-guest edit with William Sima a double issue of the e-journal China Heritage Quarterly focused on the Chinese-edited English-language weekly The China Critic, which was founded in Shanghai in 1928. In the pages of the Critic I discovered a column of “Unedited Biographies” of Chinese celebrities, which I found to be often brilliant and consistently entertaining, even when I didn’t know much about the person being profiled. The editor of the column, Wen Yuan-ning, was a favorite professor of Qian Zhongshu’s, a writer whom I’m keenly interested in. I discovered that Wen not only edited fifty celebrity profiles for the Critic in 1934, but that he also released a book of seventeen of them under his own name in 1935 as Imperfect Understanding. His takes on Hu Shi, Xu Zhimo, Zhou Zuoren, Liang Yuchun, Wellington Koo, Gu Hongming and other cultural celebrities are insightful, funny, and often mischievous. In many cases, Wen knew them personally and would try to reconcile their personalities with their reputations. His instinct was to deflate the puffed-up biographies found in books like Who’s Who in China, and the results are refreshing.

As I read more of the essays and started researching the individuals involved, it became clear to me that Wen Yuan-ning is a literary voice who deserves to be rediscovered. His influence on the satirical style of Qian Zhongshu is unmistakable and his essays make good reading in their own right. Like many members of his generation, Wen’s literary career was cut short by war and politics—but in his case it likely had more to do with being elected to China’s legislature and later being appointed Ambassador to Greece. But what he left behind is treasure trove for the essay lover and the historian.

Q: What do you hope readers will take away from your book?
CR: For starters, I hope that they enjoy discovering Wen Yuan-ning’s writings as much as I did. Imperfect Understanding contains much good humor, well-turned wit, and judicious character appraisal, along with flights of arch mockery, physiognomic satire, and poetry. Some pieces are quite touching. I hope that readers enjoy the results of some literary sleuthing that went into this book. For example, one of the best sources on Wen turned out to be writings by the New Yorker journalist Emily Hahn, who worked with him in Shanghai in the 1930s. One essay, the one on George T. Yeh (Ye Gongchao), I figured out was almost certainly written by Qian Zhongshu. I discovered that many of the essays—which were originally written in English—were translated and retranslated into Chinese many times in the 1930s and 1940s. And, as a literary historian, I learned quite a bit about celebrities outside my field, including plague fighters of Manchuria, Manila businessmen, university presidents from Singapore, rubber tycoons, diplomats, physicists, philanthropists, and musicians. Just the selection of persons profiled—the mix of professions, of male and female, living and dead—provides ample material for thinking about the politics of celebrity in in China’s age of print, and in its publishing center of Shanghai. Who was included or excluded from the list, and why? I also hope that this book inspires greater appreciation of how multilingualism has been a part of China’s literary sphere. Apart from some material in the appendices, this book is not a translation; Wen and his co-authors wrote in English. Finally, I hope that readers find useful all of the photographs, summary biographies, and bibliographic material about Wen Yuan-ning and his peers at the back of the book.

Q: What other research do you believe is needed on this topic?

CR: There’s plenty more research to be done on Wen Yuan-ning, besides the material I was able to get from Cambridge, Stanford, Taipei, and a few other places. Next steps might include tracking down his personal papers and archives in the Ministry of Foreign Affairs in Taiwan. Wen is just one of many talented writers of modern China who could write in English or another language besides Chinese, and much more work is needed to elucidate the multilingual dimension of modern Chinese literary history. We need more treasure-hunters in the archives, as many literary gems remain hiding in old magazines and journals, waiting to be rediscovered. The politics of fame has had a tremendous impact on modern Chinese culture, before and after the extraordinary example of Mao Zedong. Celebrities abound in contemporary China, for example, and our tendency is to interpret them based on the archetypes we’re most familiar with. Yet it’s clear, even before factoring in the latest digital twist, that not all of them fit the mold. Insofar as celebrity is a function of things like money, status, power, time, and attention, its configurations in Chinese contexts deserve our attention too.

Imperfect Understanding: Intimate Portraits of Chinese Celebrities is part of the Cambria Sinophone World Series, headed by Professor Victor Mair (University of Pennsylvania).

About Christopher Rea

Christopher Rea is an associate professor of Asian studies at the University of British Columbia. He holds an MA and PhD from Columbia University and a BA from Dartmouth College. His previous books include The Book of Swindles: Selections from a Late Ming Collection (cotranslated with Bruce Rusk), China’s Literary Cosmopolitans: Qian Zhongshu, Yang Jiang, and the World of Letters, and The Age of Irreverence: A New History of Laughter in China, which the Association for Asian Studies awarded the Joseph Levenson Book Prize (post-1900 China) in 2017.

About Wen Yuan-Ning

Wen Yuan-ning (1900–1984), also known as Oon Guan Neng, was born into a Hakka family on the island of Banka, and educated in Singapore, London, and King’s College, Cambridge. He taught English literature at universities in Peking, including Tsinghua University, and served as chair of the Department of Foreign Languages of Peking University. He subsequently became a contributing editor of the English-language weekly The China Critic (1928–1940, 1946) and editor-in-chief of T’ien Hsia Monthly (1935–1941), releasing his essay collection Imperfect Understanding in 1935. He was made a member of the Legislative Yuan in 1933 and in 1947 became China’s Ambassador to Greece, a position he held for twenty years. In retirement, he taught English literature at Chinese Culture University in Taipei.

 

 

Cambria Press Book Launch at iPreciation with Mabel Lee, Shen Jiawei, and Victor Mair

The Cambria Press double book launch at iPreciation on July 14, 2018,  was a great success! The audience was treated not only to fascinating talks by celebrity artist Shen Jiawei and Professor Mabel Lee about their  books Painting History: China’s Revolution in a Global Context and Gao Xingjian and Transmedia Aesthetics  but also the introductory speech by distinguished guest of honor Professor Victor Mair and an impromptu speech by another eminent guest Professor Wang Gungwu. In addition, attendees were able to view the paintings of another Cambria author Nobel laureate Gao Xingjian, who has his major paintings held at iPreciation.

Cambria Press iPreciation book launch

Cambria Press book launch at iPreciation (Singapore)

Cambria Press iPreciation Mabel Lee Toni Tan Helina Chan Wang Gungwu Victor Mair Shen Jiawei

Cambria Press book launch at iPreciation (left to right): Mabel Lee, Toni Tan, Helina Chan, Wang Gungwu, Victor Mair, and Shen Jiawei

Cambria Press iPreciation Shen Jiawei Victor Mair books

Cambria Press iPreciation Shen Jiawei Victor Mair with books–Gao Xingjian and Transmedia Aesthetics, Painting History: China’s Revolution in a Global Context, and Texts and Transformations: Essays in Honor of the 75th Birthday of Victor H. Mair 

Cambria Press iPreciation Mabel Lee Victor Mair

Cambria Press book launch at iPreciation: In addition to discussing her two books, Mabel Lee also introduced another book she was involved in-Texts and Transformations: Essays in Honor of the 75th Birthday of Victor H. Mair edited by Haun Saussy

Cambria Press iPreciation Shen Jiawei book signing

Cambria Press book launch at iPreciation: Shen Jiawei signing copies of Painting History

Cambria Press iPreciation book signing Victor Mair Shen Jiawei

Cambria Press book launch at iPreciation: Victor Mair signing copies of Texts and Transformations, and Shen Jiawei signing copies of Painting History

Cambria Press iPreciation Victor Mair signing

Cambria Press book launch at iPreciation: Victor Mair signing copies of Texts and Transformations

Cambria Press authors with books Mabel Lee Victor Mair Shen Jiawei

Cambria Press authors with their books: Mabel Lee, Victor Mair, and Shen Jiawei with Shen Jiawei’s painting of Chin Peng

More photos and a video will be posted soon, so stayed tuned!

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