#MLA17 – Scholars Making a Difference

The following individuals are scholars who are making a difference with their outstanding scholarly and community contributions. Check out their books at the Cambria booth (#509) in the #MLA17 book exhibit hall.

Top row (left to right): Paul Manfredi (Pacific Lutheran University), Mabel Moraña (Washington University in St. Louis), Christopher Lupke (University of Alberta), E. K. Tan (Stony Brook University), and Alison Groppe (University of Oregon).

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Bottom row (left to right): Susan Lever (University of Sydney), Christian Rubio (Bentley University), Wendy Larson (University of Oregon), John Clum (Duke University), and Mark Bender (The Ohio State University).

Scholars Making a Difference

Paul Manfredi

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Paul Manfredi is Chair of Chinese Studies Program at Pacific Lutheran University and the author of Modern Poetry in China: A Visual-Verbal Dynamic, which has been praised by the Journal of Contemporary Chinese Art for being “a very well-written, researched, illustrated and convincingly argued book that will no doubt be read widely among those with a specialist interest in Chinese literature and traditional culture. It is a text that challenges rigid distinctions between the verbal and the visual, not simply through theoretical appeals but also thoroughly grounded historical analysis.” The book includes color images and is part of the Cambria Sinophone World Series, headed by Victor Mair (University of Pennsylvania). *Dr. Manfredi will be at the #MLA17, presiding over the session “The Aesthetics of Crossing Media Boundaries in Modern and Contemporary Chinese Culture.”

Mabel Moraña

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Mabel Moraña is the William H. Gass Professor in Arts and Sciences and the Director of the Latin American Studies Program at Washington University in St. Louis. She is the 2013 MLA Katherine Singer Kovacs Prize Winner. Her forthcoming book The Monster as War Machine is part of the Cambria Studies in Latin American Literatures and Cultures Series headed by Román de la Campa (University of Pennsylvania).

Christopher Lupke

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Christopher Lupke is Professor and Chair of East Asian Studies at the University of Alberta and the author of The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion, which Modern Chinese Literature and Culture notes that “Lupke succeeds brilliantly” because “Lupke not only demonstrates his astute familiarity with Hou Hsiao-hsien scholarship, which he critically engages with throughout the study, but also reveals his intense familiarity with lesser known yet highly insightful details about Hou’s relationship with his collaborators Zhu Tianwen and Wu Nianzhen” and also  because “Lupke further expands the scope of the study by reading Hou’s work in relation to the films of the venerated Japanese director Ozu Yasujiro.” *Dr. Lupke will be at the #MLA17, presenting at the session “The Aesthetics of Crossing Media Boundaries in Modern and Contemporary Chinese Culture.”

E. K. Tan

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E. K. Tan is Associate Professor of Comparative Literature and Cultural Studies at Stony Brook University and is the author of the highly acclaimed Rethinking Chineseness: Translational Sinophone Identities in the Nanyang Literary World, which renowned Sinologists David Der-wei Wang and Shu-mei Shih have lauded as “magnificent work” and “conceptually innovative and flawlessly written,” respectively.  The book review by Modern Chinese Literature and Culture notes that Tan’s book is “well-written and researched” and “makes important contributions to Sinophone studies, Chinese studies, and Southeast Asian Studies, as well as to scholarship on diaspora, comparative literature, and world literature.” *Dr. Tan will be at the #MLA17, presenting at the session “The Aesthetics of Crossing Media Boundaries in Modern and Contemporary Chinese Culture.”

Alison Groppe

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Alison Groppe is Associate Professor of Chinese Literature at the University of Oregon and the author of Sinophone Malaysian Literature: Not Made in China, which has earned rave reviews in top academic journals. Southeast Asian Studies commends it for “its comprehensive coverage, focused treatment, and lucid exposition”; and the Journal of Southeast Asian Studies praises Groppe’s book because it “provides us with the much-needed basis for further explorations of the literary and cultural landscape of Southeast Asia. This insightful, detailed, and knowledgeable study will appeal to students and scholars of Chinese literature and culture, diasporic literature, and Southeast Asian studies.”

Susan Lever

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Susan Lever (University of Sydney) is general editor of the Cambria Australian Literature series and the author of David Foster: The Satirist of Australia, which was shortlisted for Australia’s prestigious Walter McRae Russell Award. Lever’s book is praised by JASAL for being “remarkable in many ways … Lever’s analysis is entertainingly accessible and navigates a path through the extremes of contemporary literary theory to explain Foster’s complex philosophical ideas and stylistic idiosyncrasies.” In addition to her own publications, Dr. Lever has also helped many authors develop their own works under the Cambria Australian Literature series. Many of these books, such as by Shirley Hazzard: : Literary Expatriate and Cosmopolitan Humanist by Brigitta Olubas and Giving this Country a Memory: Contemporary Aboriginal Voices of Australia by Anne Brewster, have earned outstanding reviews.

Christian Rubio

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Christian Rubio is Associate Professor of Spanish at Bentley University and the author of Krausism and the Spanish Avant-Garde: The Impact of Philosophy on National Culture. Dr. Salvador A. Oropesa, Professor of Spanish and Chair of the Department of Languages at Clemson University, has praised this new book highly because of how “Rubio argues convincingly that Krausism had a practical effect on everyday life and in literature” and points out that “previous critical work on Krausism has focused on its impact on realism. The novelty of Rubio’s study is that it extends its influence to postrealism movements like modernism (in the Anglo sense of the term), the avant-garde, and women’s right’s literature.” As such, he recommends the book as “a must read for those interested in the influence of Krausism and Kantian philosophy in Spanish culture during the early twentieth century.”

Wendy Larson

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Wendy Larson is professor emerita at the University of Oregon and the author of Zhang Yimou: Globalization and the Subject of Culture. Jerome Silbergeld of Princeton University eloquently explains why Larson’s book is so important: “Complex and controversial, the director, cinematographer, and actor Zhang Yimou has defined Chinese film more than anyone else since the ‘opening up’ of China in the early 1980s. But do his films best define the real China or define the difficulty of defining ‘China’ and Chinese culture? Globalization is upon us, contending against nationalism and nationalists, and among other things modernizing Chinese cinema but also Hollywoodizing and de-Sinicizing it. Throughout his career, Zhang Yimou has both de-Sinicized and re-nationalized his Chinese cinema. Larson’s learned and entertaining engagement with Zhang’s evolving cinematic representations of Chinese culture looks at him and his films not only as agents of both hybridizing global forces and patriotic Chinese agendas but also as the product of both. Larson’s book engages readers in an insightful reflection on the significance, the potential, and the limitations of film as cultural production in a constantly changing China.”

John Clum

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John Clum is professor emeritus at Duke University and the general editor of the Cambria Studies in Contemporary Global Performing Arts Series. Dr. Clum’s publications include Terrence McNally and Fifty Years of American Gay Drama; The Works of Arthur Laurents: Politics, Love, and Betrayal; Awkward Stages: Plays about Growing Up Gay; and Gay Drama Now: An Anthology. His books have been praised for their astute examinations of important cultural works and their impact. For example, on his book on Arthur Laurents, Dr. Brenda Murphy, Distinguished Professor Emeritus at the University of Connecticut, praised it because “in this authoritative and engaging book, John Clum draws on an unparalleled fund of knowledge about the musical theatre and the history of LGBT theatre in America to chronicle Laurents’s importance as a gay playwright writing about gay issues during the twentieth century. He elegantly demonstrates the ways in which Laurents’s writings parallel the momentous changes in the social, cultural, and political status of LGBT people.” Dr. Clum has also helped many authors develop their own works and is extremely active in the theatre scene.

Mark Bender

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Mark Bender is Professor of Chinese literature and folklore at The Ohio State University and the author of The Borderlands of Asia: Culture, Place, Poetry. Joni Adamson (Arizona State University) notes that the book “introduces poets whose first language is Chinese, Burmese, Khasi, Nuosu, or Mongolian. But here, their poems can be read in English, which Bender brilliantly wields as a ‘language of interaction.’ In the spirit of myth, these poets introduce us to entangled worlds, from the microscopic to the planetary. They reveal a cosmos of intimate relations between animals, plants, landscapes and waters, and urge us to be cautious about environmental changes taking place at scales that are endangering all life on the planet. This is the first and most authoritative book I have seen on the folk cultures, poetic worlds, and geographies of the Eastern Himalayas, Myanmar, and Southwest China.  It is a sparkling ‘cosmography’ that will immediately become required reading in Chinese and Sinophone literary and cultural studies.”

Check out these #MLA17 events!

For more titles and other authors who are making a difference, see www.cambriapress.com.

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#MLA17 Events – Meet Cambria Press Series Editors and Authors

Cambria Press would like to invite #MLA17 attendees to join us for the following events:

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Meet Professor Román de la Campa
(University of Pennsylvania)

General Editor of the Cambria Studies in
Latin American Literatures and Cultures Series

Friday (January 6) at 5 p.m.
Cambria Press Booth 509, MLA Book Exhibit Hall

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* * * * *

Meet Professor Victor Mair
(University of Pennsylvania)

General Editor of the Cambria Sinophone World Series
Saturday (January 7) at 5:15 p.m
.
Cambria Press Booth 509, MLA Book Exhibit Hall

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* * * * *

Cosponsored Asian Studies Reception

Saturday (January 7) at 8:45 p.m
Room 411-412, Philadelphia Marriott

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* * * * *

Please also come visit us at the Cambria Press booth (509) in the book exhibit hall.

Friday ( January 6), 9 a.m.– 6 p.m.
Saturday (January 7), 9 a.m.– 6 p.m.
Sunday (January 8), 9 a.m.– 1 p.m.

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Cambria Press Publication Review: African Heritage and Memories of Slavery in Brazil and the South Atlantic World

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Congratulations to Professor Ana Lucia Araujo on yet another outstanding review of her book African Heritage and Memories of Slavery in Brazil and the South Atlantic World!

The Journal of Lusophone Studies praised the book for being “a much needed transatlantic study on Africa and Brazil has finally come alive… in this formidable volume … the ten chapters offer a compendium of well researched work” and recommends it as a “welcome addition to the bibliography on Afro-Brazilian and South Atlantic studies. It will surely provoke further studies.”

This book is part of the Cambria Studies in Slavery: Past and Present series, headed by Dr. Ana Lucia Araujo.

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Cambria Press Publication Review: Transatlantic Memories of Slavery

Congratulations to Professors  Elisa Bordin and Anna Scacchi on the glowing review of their book, Transatlantic Memories of Slavery: Reimagining the Past, Changing the Future, by the European Journal of American Studies.

Scacchi Bordin Book Cover

The following are excerpts from the book review.

“With great courage, sharp intuition and professional dedication they have tackled some of the most controversial issues of historical revision and imaginative projection linked to the slave trade all over the world. While stressing the central role of slavery in the affirmation of Euro-American modern capitalistic society, they give space to the dignity and validity of long time ignored acts of memory produced in different fields by people of African descent. The importance attributed by them to these narratives in both written or visual form, are now shown as a dialogic and no less important counterpart to the over-publicized acts of memory written by representatives of the Euro-American hegemonic platform. Through the analysis of a large sample of writings, fiction and non-fiction, films, photographs, popular culture, the authors, a group of renown scholars and artists, question the legitimacy of the kept records, showing that the problem, as William Styron maintained, is not just how to portray the history of slavery, but how ‘to wrestle with the incomplete project of freedom.’

“What appears particularly relevant in this collection is the methodological approach, a complex, comparative, transnational gaze that rightly pulls down the ideal boundaries of nation and continent, North and South America, Brazil and West Africa, and above all French, Spanish and English Caribbean – where, it should be remembered, the slave trade registers its highest peak – allowing them to shed light on the multiple ways in which difference builds up a privileged path to artistic productions. The mechanics of how slavery affected the intercultural, inter-human, inter-linguistic exchanges between different peoples finds in this broad discussion one of the best possible readings, where the textual and the meta-textual crisscross and contaminate each other; a modern approach that ignores stale categories, narrow paradigms, prefigured evaluations.”

“The fluidity achieved between disciplines, territories, languages, anthropological characterizations is happily harmonized with a captivating style, that accrues the meaning of the research and the pleasure of reading.”

Read the entire review here.

This book is in the Cambria Studies in Slavery book series (general editor: Ana Lucia Araujo).

See this book at the #LASA2016 congress. For a 30% discount, order Transatlantic Memories of Slavery now and use the coupon code LASA2016 at www.cambriapress.com.

You can also buy this book on Amazon and get free shipping.

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LASA 2016 Highlights – New & Noteworthy in Latin American Studies

We are proud to launch Dr. Gabriela Fried Amilivia’s new book, State Terrorism and the Politics of Memory in Latin America, at the LASA congress.

Fried Book Cover

This interdisciplinary study, written in a highly accessible style, will have both specialists and nonspecialists appreciating it for how it vividly brings to life the terror inflicted by the state on its people and how it continues to affect them. Tying sociology with history, psychology, and politics, this book will not only add depth to the fields of culture and memory studies but also broaden the scope of understanding for literary works which weave in trauma of Latin American history.

“A groundbreaking study for anyone interested in crimes against humanity and their haunting transgenerational legacy.” —GABRIELE M. SCHWAB, Chancellor’s Professor, University of California, Irvine

Gabriela Fried

Watch Dr. Fried discuss the book at the LASA Congress

Dr. Fried will speak about her book
at the special LASA author session
on
Sunday morning
(May 29) at 9:45 a.m.

in the book exhibit hall at the Hilton.

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“An interesting, enjoyable and instructive example to other nations and cultures about how the powerful get to tell everyone else what their culture is even if the evidence doesn’t support it.” Sounds and Colours

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“Innovative in its transatlantic scope, and is a valuable contribution to attempts to reconsider the role and status of the poet in globalized-—and especially neoliberal-—socioeconomic context.”  A contra corriente

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“Una recomendable monografía para aquellos que quieran profundizar en el cine y la Argentina de los dos primeros mandatos de Perón (1946–55)Thompson cita numerosas y relevantes fuentes a lo largo de todo el volumen, que servirán para apoyar sus argumentos, así como para ilustrar sus ejemplos.”Hispania

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“It is entirely revitalizing to see a work devoted to the Central American avant-garde that both grounds its focus critically and keeps its focus on both the aesthetics and politics that grounded the literary production of the vanguardia in the early 20th century. A very welcomed addition to the corpus of writings on the avant-garde, valuable to students and scholars of Central American literature,and those studying the avant-garde from any region.” A contra corriente

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Carefully researched and generously illustrated, Lauren Beck’s book offers a thorough study of primary sources, both textual and visual, on the cultural construction of the enemy in Spanish culture. … The case of Spanish culture is particularly interesting because the Spaniards have been active in the creation of stereotypes of their enemies  and at the same time they have been the object of similar processes of cultural construction by other European nations.”  Bulletin of Hispanic Studies

Herrera Book Cover
Offers insightful and nuanced interpretations of selected canonical Chicana writers … focused on the interlocking structure of discriminatory discourses of classism, racism, sexism, and homophobia. Indeed, her discussion of queer Chicana motherhood and patriarchal heterosexism … offers a very productive model for critically embedding queer representations of sexual and gender formation in the context of allied ‘straight’ texts.” Contemporary Women’s Writing
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This book will push understandings of membership and identities in Africa and the African diaspora forward though unique and insightful discussions on Pan-Africanism and African freedom, British colonialism and African spaces, the politics of Brazilian baianas, linguistic and cultural Africanisms in the Caribbean, identities in postcolonial francophone literature, and much more.
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“The memory of slavery and the slave trade has strongly influenced how history is understood. What is remembered and why are clearly identified as major historical themes of analysis in this valuable collection.” Canadian Journal of Latin American and Caribbean Studies

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“With great courage, sharp intuition and professional dedication the editors have tackled some of the most controversial issues of historical revision and imaginative projection linked to the slave trade all over the world … Praise be to them for gathering such a relevant instrument of research, and for opening new perspectives in the field.” European Journal of American Studies

Integrating research from the various fields of humanities and social sciences is more important than ever, which is why Cambria series are interdisciplinary. Click on each series link to see the books in the series.

Cambria Studies in Latin American Literatures and Cultures
(General Editor: Román de la Campa, University of Pennsylvania)

Cambria Studies in Slavery: Past and Present
(General Editor: Ana Lucia Araujo, Howard University) 

Cambria Studies in Contemporary Global Performing Arts
(General Editor: John Clum, Duke University)

Cambria Press Publication Review: Contemporary Hispanic Poets

Congratulations to Professor John Burns on the outstanding review by the journal, A contra corriente, of his book Contemporary Hispanic Poets: Cultural Production in the Global, Digital Age!

This book is in the Cambria Latin American Literatures and Cultures series, headed by Professor Román de la Campa, the Edwin B. and Lenore R. Williams Professor of Romance Languages at the University of Pennsylvania.

The book review notes that “John Burns’ study of Hispanic poetry from Chile, Mexico, and Spain employs a cultural studies approach in its analysis of recent poetic production in Spanish. It is innovative  in  its  transatlantic  scope, and is a  valuable  contribution to attempts  to reconsider  the  role  and  status  of  the  poet  in  globalized—and especially neoliberal—socioeconomic context.”

#LASA2016

Other details noted in the review about the book include:

“[the book] presents a surprising, yet effective pairing of poets: Spaniard Leopoldo María Panero and Chilean Raúl Zurita”

“the  sharpness  of  Burns’  readings  of well-known  poetry by  Panero—more  so  than  elucidations  of Panero’s cameos  in novels  by  authors  like  Roberto  Bolaño,  Enrique  Vila-Matos,  etc.—is  the  strongest element  of  this  section”

“Burns shows  himself  to  be  a  deft  close  reader  of poetry in his exploration of blurring techniques in  Juan Felipe Herrera’s “187 Reasons Mexicanos Can’t  Cross  the  Border,” and  the  juxtaposition  of  Guillermo Gómez-Peña  and Herrera—with respect to the issue of “the poet as a navigator of a globalizing mediascape.”

See this book at the upcoming #LASA2016 book exhibit in New York City in two weeks!

There is a 30% LASA discount* on the print version of the book, or buy it on Amazon.

*LASA discount: Use coupon code LASA2016 upon checking out at http://www.cambriapress.com.

 

 

Cambria Press New Publication: State Terrorism and the Politics of Memory in Latin America

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Cambria Press is releasing a new book, State Terrorism and the Politics of Memory in Latin America, by Dr. Gabriela Fried Amilivia (associate professor of sociology at California State University Los Angeles). Watch Dr. Fried discuss the book during the publication launch at the LASA Congress in New York.

Praise for the book:

“This study is a theoretical, methodological, and socio-historical contribution to the field, especially for memory studies from the perspective of the victims’ subjectivities. Gabriela Fried shows how the experience of extreme vulnerability becomes the sequel to the cumulative traumatic experience of individuals and families, and she illuminates some of the most relevant dimensions of this problem, thereby contributing to a wider understanding of the complex processes of political memories in Latin America in the lives of individuals and society.”

—Elizabeth Lira, Dean, Facultad de Psicología,
Universidad Alberto Hurtado, Santiago de Chile

The following are excerpts from State Terrorism and the Politics of Memory in Latin America:

“…the home raids and arrests after midnight, ‘under cover of darkness,’ were not necessarily meant to be silent acts: often, they were transformed into public spectacles of horror in which officers would insistently and loudly ring bells or break down doors at two or three in the morning, alarming entire houses, apartments, floors, or complexes. This included waking children, performing searches, and interrogating everyone present before apprehending the person or persons they had come for and taking them away without explanation …” (State Terrorism and the Politics of Memory in Latin America, pp. 50–51)

“Prisoners were forced into a constant state of alertness that would become a long-term habit: “to see without looking, to hear without listening, to know without showing that one knows.” Detainees were immediately deprived of any familiar connection, confined to a solitary struggle that enlisted their own bodies in pain—and the fear of pain—as a means of torture. In response, they turned inward, necessarily relying on their own psychic resources, however limited, for survival.” (State Terrorism and the Politics of Memory in Latin America, pp. 128–129)

“In 1975 the armed forces had perfected their ‘methods,’ and everyone who was detained was subjected to systematic torture … And I was no exception. The days of interrogation and torture were very hard, so much that my mind has erased much of those days (months?), but the marks on my body took longer to erase (have they been erased?) …” (State Terrorism and the Politics of Memory in Latin America, pp. 200–201)

Order State Terrorism and the Politics of Memory in Latin America and ask your library to purchase this book, which will be a valuable resource to students, scholars, and practitioners who are interested in substantive questions of memory, democratization, human rights, and transitional justice. This book is an essential addition for collections in Latin American studies and studies in trauma, memory, and political justice.

Cambria Press Book State Terrorism and the Politics of Memory in Latin America

www.cambriapress.com

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