Cambria Press Publication Excerpt from “Buddhist Transformations and Interactions”

The following is an excerpt from Buddhist Transformations and Interactions edited by Professor Victor Mair. This new book was released by Cambria Press at the 2017 AAS conference a week ago. According to Tansen Sen (professor at Baruch College), Antonino Forte had the well-earned reputation of being “a valued mentor, a comforting friend, and a great host.” In the book, Sen notes:

“Nino, as we called him, was always ready to share his insights into the cosmopolitan world of the Tang dynasty; he eagerly imparted his knowledge about the Buddhist connections between Tang China and other parts of Asia; and he graciously offered to us his publications, including those that were forthcoming or still at the formative stage. His advice and suggestions invariably improved our research skills and knowledge of Chinese history. His kindness and generosity also helped us better navigate the world of scholarship as well as daily life in Kyoto. Nino Forte was one of the leading global scholars of Tang China.”

We will be posting more chapter excerpts soon. This new book from Cambria Press is also available on Amazon.

Cambria Press publisher reputation Forte

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AAS 2017 Toronto: Books and Scholars in Asian Studies to Watch

AAS 2017 Cambria Press Authors

Check out the new books by these Asianists at the Cambria Press booth 109 at the Association for Asian Studies, Inc. (AAS) #AAS2017 conference in Toronto.

Top (left to right): Wilt Idema (Harvard University), Victor Mair (University of Pennsylvania), Wendy Larson (University of Oregon), Mark Bender (The Ohio State University), and Charlotte Furth (University of Southern California).

Bottom (left to right): Zhansui Yu (Nazareth College), Christopher Lupke (University of Alberta), Takayoshi Yamamura (Hokkaido University), I-Hsien Wu (City College of New York), and Philip Seaton (Hokkaido University).

Professor Victor Mair (University of Pennsylvania) will make a special appearance at the Cambria Press booth (109) on Friday (March 17) at 11 a.m. to discuss the Cambria Sinophone World Series and his latest book Buddhist Transformations and Interactions. In addition, six other new books are being launched just in time for the AAS conference. These are:

  • Zhang Yimou by Wendy Larson (University of Oregon)

    “Larson’s book is important for any reader interested in how the political sphere and visual culture redefine each other.” —Yomi Braester, University of Washington; and Coeditor, Journal of Chinese Cinemas

  • The Borderlands of Asia by Mark Bender (The Ohio State University) 

    “When it comes to other books on the market, there is nothing close to this book in terms of quality or range of material. This is a unique and valuable addition to the field of literature and Asian studies.”—Jonathan Stalling, University of Oklahoma; and Editor, Chinese Literature Today

  • Eroticism and Other Literary Conventions in Chinese Literature by I-Hsien Wu (CUNY) 

    “I-Hsien Wu has done brilliant work in teasing out the intertextual threads of The Story of the Stone. In a very astute manner, she examines sources drawn from performing arts and erotic fiction, identifies ideological and affective contestations, and ponders the consequences of the novel as a text in flux.” —David Der-wei Wang, Harvard University

  • Chinese Avant-garde Fiction by Zhansui Yu (Nazareth College) 

    “This thoughtful book offers fresh insights into avant-garde fiction in the early decades of China’s reform. Engaging Chinese and Western traditions, Yu Zhansui argues forcefully that the Chinese avant-garde carries on the probe into the darkness of history in a quest for transcendent truths about human conditions.” —Ban Wang, Stanford University

  • Opening to China by Charlotte Furth (Univerity of Southern California) 

    “Few Americans today have any sense of how far China has come since its opening in the early 1980s. Charlotte Furth was there to see the start of the defrost with the country’s opening and her lively account of her experiences in China then provides a unique and invaluable record. It is useful in these days of rising tensions between China and the U.S. to be reminded of China’s social reality not very long ago.” —Gordon H. Chang, Stanford University

  • Contents Tourism in Japan by Philip Seaton, Takayoshi Yamamura, Akiko Sugawa-Shimada, and Kyungjae Jang

    “This may be the best book ever written on tourism in Japan! This work is on one of the most important subjects in contemporary tourism studies and Japan studies, perhaps a forerunner of things that are also happening in the Korean and Chinese worlds and elsewhere, which makes it doubly important.” —Nelson Graburn, UC Berkeley

Taika square sneak peek

Take a sneak peek at the Cambria Press Asian studies catalog

Taika square book sales

Use coupon code AAS2017 at http://www.cambriapress.com to save 30% on all hardcover titles. Offer ends May 15, 2017.

Taika square book

Forthcoming book in the Cambria Rapid Communications in Conflict and Security Studies (RCCS) Series headed by Dr. Geoffrey R. H. Burn

Taika square BAG

Come to booth 109 to get a complimentary Cambria Sinophone World Series tote bag

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Taika square dessert

Sheraton Toronto Churchill Room

Cambria Press Publication Review: The Sinophone Cinema of Hou Hsiao-hsien

Congratulations to to Dr. Christopher Lupke, Professor and Chair of the Department of East Asian Studies at the University of Alberta, on the outstanding review of his book, The Sinophone Cinema of Hou Hsiao-hsien, in the journal Modern Chinese Language and Cutlure (MCLC).

hou-hsiao-hsien

The review praises the book because

“In plain, jargon-free language replete with astute insights garnered from decades of scholarly engagement with the films of Hou Hsiao-hsien and Taiwanese cinematic and literary culture, Lupke sets out to lift the veil of the technical finesse and structural ambiguity that enshrouds much of Hou’s oeuvre and frequently frustrates film spectators. In this endeavor alone, Lupke succeeds brilliantly. … Lupke not only demonstrates his astute familiarity with Hou Hsiao-hsien scholarship, which he critically engages with throughout the study, but also reveals his intense familiarity with lesser known yet highly insightful details about Hou’s relationship with his collaborators Zhu Tianwen and Wu Nianzhen. … Read more

Order The Sinophone Cinema of Hou Hsiao-hsien on Amazon today and get free shipping.

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Cambria Press New Publication: The Fiction of Thea Astley

Cambria Press is pleased to announce a new publication The Fiction of Thea Astley by Susan Sheridan.

This book is in the Cambria Australian Literature Series, headed by Dr. Susan Lever.

This book will be launched at the upcoming 2016 Association for the Study of Australian Literature conference hosted by UNSW Canberra at ADFA.

The following are excerpts from the new book.

Thea Astley

From the introduction:
“This oppositional stance—in relation to the Church, and in relation to the nation and the colonialism on which it was founded—fed into Astley’s critique of other social institutions and practices. Her work is driven by a moral revulsion against greed and corruption, against class prejudice and the cruelties practiced on social outsiders, against the racism of colonial dispossession and exploitation of Indigenous people, and against the presumption of male superiority and the physical and psychic violence practiced against women.”

From Chapter 3:
“By the time she published Beachmasters, in 1986, Astley had developed a political perspective on colonialism that allowed her to move beyond disillusionment with human relationships structured by marriage, or human relationship to the divine as structured by the Church, to a critique of the structures themselves. This novel takes colonialism as its subject, rather than assuming its presence, and depicts expatriates and indigenous people inhabiting the same socio-political space, drawing out the complications of hapkas familial and cultural identity. Such a perspective on power structures, as we shall see in later chapters, comes to inform her representation of gender and sexual relations as well as colonial race relations, providing a strong intellectual foundation for her intensely imagined fictions.”

From Chapter 7:
“With Drylands, her final novel, Astley returns to the present day and a setting in a small north Queensland inland town of that name. […]The stories are framed by the narrative of Janet Deakin (a name suggesting she is a descendant of one of Australia’s founding fathers, Alfred Deakin) […] The stories, including Janet’s own, are all tales of violence, of behavior which ranges from the verbal sneers that Janet suffers, through to domestic violence and attempted rape. Another woman is victim not to violence but to domestic servitude to her husband and six sons. In this book, Astley’s feisty feminist barbs at marriage as an institution of male privilege and female slavery recur (‘Is it a boy or a drudge?’ asks Janet’s mother when she is born, 103) but the predominant theme is masculine violence.”

Buy The Fiction of Thea Astley on Amazon.

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Cambria Press Book Launch: Pedro Zamora, Sexuality, and AIDS Education

Cambria Press is proud to announce the publication of Pedro Zamora, Sexuality, and AIDS Education: The Autobiographical Self, Activism, and The Real World by Christopher Pullen. We are honored that the book will be launched on June 14 at the GLBT Historical Society Archives and Museum. Dr. Pullen will be flying into San Francisco for the event to speak about his book.

LGBT

Pedro Zamora was an openly gay AIDS activist of Cuban descent, who became a worldwide media phenomenon, particularly after his participation in The Real World television documentary series, set in San Francisco in 1994, where he openly represented his life as a person living with AIDS. Although Zamora passed away the same year he was on The Real World at only twenty-two years old, his life story continues to be an important contribution to contemporary debates on AIDS education, given how he was such an icon for sexual diversity.

Offering a comprehensive biographical narrative which brings together a wide range of media sources, including not only close examination of The Real World television series itself, the biographical film Pedro, educational documentaries to which Zamora contributed, and news reports from The Miami Herald, The Wall Street Journal, and POZ Magazine, key elements of Zamora’s story are brought together for the first time.

Chris Holmlund, Arts and Sciences Excellence Professor of Cinema Studies, Women’s Studies and French, University of Tennessee; and author of Impossible Bodies, praises the book:

“Documenting gay Cuban American activist Pedro Zamora’s appearances onscreen, in person, and in print, Pedro Zamora, Sexuality, and AIDS Education reflects on the power of mediated autobiography and testifies to the ongoing importance of working together to combat HIV/AIDS and injustice. Informed by the assessments of 1980s and 1990s AIDs activism offered by Alex Juhasz, José Esteban Muñoz, Simon Watney, Roger Hallas, Randy Shilts, Paul Monette, Marlon Riggs, and others, Pullen’s study details how the good-looking Zamora became a skilled educator who excelled at reaching out to youth, especially queer youth, and people of color. Diagnosed as HIV-positive at the age of seventeen, Zamora learned how to be charismatically convincing, conjoining vulnerability, transparency, sincerity, warmth and strength. His articulately “out” role on MTV’s 1994 reality show, The Real World: San Francisco, was a highlight; sadly, he died that same year, aged only twenty-two. Kudos to Pullen for so eloquently marshaling Pedro Zamora’s life, work, and love, for the present, toward the future.”

This book is in the Cambria Global Performing Arts Series headed by John M. Clum (Duke University).

GLBT

 

AAS 2016 Cambria Press Sinophone World Series Event

The AAS 2016 conference was one of our best conferences yet. It was great being right in the front of the exhibit hall and across from the AAS booth. We appreciated the compliments on our 8 ft long banners from both attendees and other exhibitors. Thanks to all who stopped by!

Asian Studies 1

Cambria Press AAS 2016 Book Exhibit Hall Banner 1

The Cambria booth had two banners–one for our Cambria Sinophone World Series Event and series, and the other for our latest books.

Asian Studies 2

Cambria Press AAS 2016 Book Exhibit Hall Banner 2

Thanks also to all who attended the Cambria Sinophone World Series Event! Speakers were:

Christopher Lupke Toni Tan Victor Mair Sinophone Asian Studies

Christopher Lupke (Washington State University; author of The Sinophone World Cinema of Hou Hsiao-hsien) with Toni Tan (Cambria Press director) and Victor Mair (University of Pennsylvania; general editor of the Cambria Sinophone World Series)

Christopher Lupke Victor Mair Sinophone Asian Studies Toni Tan Cambria

Christopher Lupke (Washington State University; author of The Sinophone World Cinema of Hou Hsiao-hsien) with Toni Tan (Cambria Press director), Victor Mair (University of Pennsylvania; general editor of the Cambria Sinophone World Series), and Minghui Hu (University of California Santa Cruz; coeditor, with Johan Elverskog of SMU, of Cosmopolitanism in China, 1600-1950)

 

Victor Mair Sinophone Christopher Lupke Hou Hsiao-hsien Toni Tan Cambria Press

AAS 2016 Victor Mair (University of Pennsylvania; general editor of the Cambria Sinophone World Series), Christopher Lupke (Washington State University; author of The Sinophone Cinema of Hou Hsiao-hsien) and Toni Tan (Cambria Press director)

 

Buddhist Baodingshan Karil Kucera

Karil Kucera (St. Olaf College; author of Ritual and Representation in Chinese Buddhism)

Download the Asian Studies catalog and browse our titles. Enjoy 30% off all hardcover titles. Use coupon code ASIA30. Libraries can use this code too.

The Sinophone Cinema of Hou Hsiao-hsien

Cambria Press is pleased to announce a new publication The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion by Christopher Lupke (Washington State University). This book is in the Cambria Sinophone World Series headed by Victor Mair (University of Pennsylvania) and the Cambria Contemporary Global Performing Arts Series headed by John Clum (Duke University).

This book will be launched at the upcoming 2016 Association of Asian Studies (AAS) conference in Seattle.

Hou Hsiao-hsien

The following are excerpts from the book.

Chapter 1: The Odyssey of Hou Hsiao-hsien
Hou Hsiao-hsien Cannes“The odyssey of Hou Hsiao-hsien, a director now in his late sixties, is an unfinished one. Audiences look forward to his constant interrogation of the boundaries of film representation, his wonderful creativity and courage, and his obsessive honing of signature techniques. … he made full use of his training and talent, as well as his collaborative relationships with such important intellectuals as Zhu Tianwen and Wu Nianzhen and technical geniuses such as Du Duzhi, Liao Qingsong, Li Pingbin, and Huang Wenying. When many filmmakers concede to the demands of global capitalistic aesthetics, Hou unwaveringly pursues his craft, disregarding the received viewing conventions of the film public and redefining them at the same time. His is a visionary art whereby he is as restless and uncomfortable as are many film aficionados.” (pp. 37-38)

Chapter 2: Zhu Tianwen and the Sotto Voce of Gendered Expression

Chu-Tien-wen-3
“The influence of Zhu in the film production cannot be underestimated but is difficult to completely distill without resorting to detailed autobiographical and interview evidence about each and every film. For instance, one can tell from interviews of Hou and Zhu,  often conducted jointly, as well as various essays that Zhu Tianwen has written, that there has been a symbiotic, even synergistic, energy at work in their artistic and professional relationship.” (pp. 47-48)

Chapter 3: Comparing Hou Hsiao-hsien and Ozu Yasujirô

Ozu Yasujirô
“Notably, in spite of whatever uncanny resemblances may exist between the cinematic style of Ozu and Hou, especially in Hou’s works up until his 1989 classic A City of Sadness, Hou insists that he had never seen an Ozu film all the way through to that point and therefore could not have been influenced by him except perhaps in some general fashion that perhaps all intellectuals in Taiwan are influenced to one extent or another by, for lack of a better word, what one might call ‘the Japanese aesthetic.'” (pp. 78-79)

Chapter 4: The Muted Interstices of Testimony

A-City-Of-Sadness
“The dissection of these particular sequences [in A City of Sadness] leads to the conclusion that a large measure of the film’s import rests on the fact that just as political repression is a form of silencing, the silent witness Wenqing (Fourth Brother) enacts the very problem of communication which the February 28 Incident creates and the critics of A City of Sadness deplore. Therefore, it is not so much that Hou Hsiao-hsien has failed to put forth a film that adequately represents this historical truth, nor that he has acted on behalf of the Guomindang, wittingly or unwittingly, to present a politically suspect whitewash of the affair, but that his representation of the event contains within itself the seeds of its own skepticism. Hou’s film implies that a pristine recapitulation of the February 28 Incident is no longer accessible and in fact itself would serve to undermine the most important element of political repression: the silencing of contending voices.” (pp. 114-115)

Chapter 5: Time and Teleology in Hou Hsiao-hsien’s Films of Quest and Disillusionment

Goodbye SouthDust in the Wind
“That his characters do not accomplish what they set out to, that they do not get to where they always seem to be going, that the spectator is left to puzzle over the apparently unfinished quality of his carefully wrought paeans to the quotidian is a responsibility that  Hou places on the spectator. Hou’s audiences are left to ponder the awful ennui of his characters and the curiously tentative conclusions of his films. … The circular logic of Hou’s film narratives illusively structured as teleological journeys echoes the feelings of vulnerability its inhabitants hold for Taiwan, an island entity with no official status as a nation, whose denizens have nowhere to which they can flee and no option of expanding its economy within its borders.” (p. 192)

Chapter 6: What is Said and Left Unsaid in Hou Hsiao-hsien’s Period Adaptations

flowers of shanghaiMillennium Mambo
“Even for Hou Hsiao-hsien, Flowers of Shanghai (1998) is a film that presses the bounds of feature filmmaking. … Despite the fact that Hou Hsiao-hsien has said in an interview that Millennium Mambo is a contemporary version of Flowers of Shanghai, the latter does not even contain the narrative voiceover to guide the spectator as the former does.1 The audience is forced to puzzle over the meaning and implications of the film, an alienating experience even for Chinese and Taiwanese audiences due to its period setting. (p. 209)

The Assassin

“Watching Hou Hsiao-hsien’s most recent film The Assassin carefully and repeatedly, one comes to the initial conclusion that it is a plot stripped of all excess, an adumbration of the full story of what happened to the heroine Nie Yinniang and of the historical  circumstances surrounding the militarized province of Weibo where the film is set. While this is true, it is deceiving too because The Assassin is also a colossal reinterpretation of the original Tang-dynasty classical tale “Nie Yinniang,” and the film version and particularly the screenplay endow it with a cornucopia of newly created material that the authors drew both from historical research and from their imaginations.” (p.215)

See also Author Interview with Christopher Lupke.

Learn more about the book and recommend it.

www.cambriapress.com

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