AAS 2017 Toronto: Books and Scholars in Asian Studies to Watch

AAS 2017 Cambria Press Authors

Check out the new books by these Asianists at the Cambria Press booth 109 at the Association for Asian Studies, Inc. (AAS) #AAS2017 conference in Toronto.

Top (left to right): Wilt Idema (Harvard University), Victor Mair (University of Pennsylvania), Wendy Larson (University of Oregon), Mark Bender (The Ohio State University), and Charlotte Furth (University of Southern California).

Bottom (left to right): Zhansui Yu (Nazareth College), Christopher Lupke (University of Alberta), Takayoshi Yamamura (Hokkaido University), I-Hsien Wu (City College of New York), and Philip Seaton (Hokkaido University).

Professor Victor Mair (University of Pennsylvania) will make a special appearance at the Cambria Press booth (109) on Friday (March 17) at 11 a.m. to discuss the Cambria Sinophone World Series and his latest book Buddhist Transformations and Interactions. In addition, six other new books are being launched just in time for the AAS conference. These are:

  • Zhang Yimou by Wendy Larson (University of Oregon)

    “Larson’s book is important for any reader interested in how the political sphere and visual culture redefine each other.” —Yomi Braester, University of Washington; and Coeditor, Journal of Chinese Cinemas

  • The Borderlands of Asia by Mark Bender (The Ohio State University) 

    “When it comes to other books on the market, there is nothing close to this book in terms of quality or range of material. This is a unique and valuable addition to the field of literature and Asian studies.”—Jonathan Stalling, University of Oklahoma; and Editor, Chinese Literature Today

  • Eroticism and Other Literary Conventions in Chinese Literature by I-Hsien Wu (CUNY) 

    “I-Hsien Wu has done brilliant work in teasing out the intertextual threads of The Story of the Stone. In a very astute manner, she examines sources drawn from performing arts and erotic fiction, identifies ideological and affective contestations, and ponders the consequences of the novel as a text in flux.” —David Der-wei Wang, Harvard University

  • Chinese Avant-garde Fiction by Zhansui Yu (Nazareth College) 

    “This thoughtful book offers fresh insights into avant-garde fiction in the early decades of China’s reform. Engaging Chinese and Western traditions, Yu Zhansui argues forcefully that the Chinese avant-garde carries on the probe into the darkness of history in a quest for transcendent truths about human conditions.” —Ban Wang, Stanford University

  • Opening to China by Charlotte Furth (Univerity of Southern California) 

    “Few Americans today have any sense of how far China has come since its opening in the early 1980s. Charlotte Furth was there to see the start of the defrost with the country’s opening and her lively account of her experiences in China then provides a unique and invaluable record. It is useful in these days of rising tensions between China and the U.S. to be reminded of China’s social reality not very long ago.” —Gordon H. Chang, Stanford University

  • Contents Tourism in Japan by Philip Seaton, Takayoshi Yamamura, Akiko Sugawa-Shimada, and Kyungjae Jang

    “This may be the best book ever written on tourism in Japan! This work is on one of the most important subjects in contemporary tourism studies and Japan studies, perhaps a forerunner of things that are also happening in the Korean and Chinese worlds and elsewhere, which makes it doubly important.” —Nelson Graburn, UC Berkeley

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Take a sneak peek at the Cambria Press Asian studies catalog
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Use coupon code AAS2017 at http://www.cambriapress.com to save 30% on all hardcover titles. Offer ends May 15, 2017.
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Forthcoming book in the Cambria Rapid Communications in Conflict and Security Studies (RCCS) Series headed by Dr. Geoffrey R. H. Burn
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Come to booth 109 to get a complimentary Cambria Sinophone World Series tote bag

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Sheraton Toronto Churchill Room

#MLA17 – Best Moments

One of the best moments at #MLA17–when Professor Christian Rubio sees his book Krausism and the Spanish Avant-Garde for the first time!

mla17Mark P. Del Mastro, Chair and Professor of Hispanic Studies of the College of Charleston, notes:

Christian Rubio provides a refreshing, clearly articulated and well-researched study on the impact of Krausism on Spain and the avant-garde movement via the notion of ‘Europeanization,’ while he challenges traditional critical trends that persist with categorizing Spanish literature within generations. In addition, Rubio devotes a much-needed, entire chapter on Krausism’s impact on Spanish women, while at the same time underscoring the importance of the often overlooked contributions by Rosario Acuña and Carmen de Burgos. This important book is a necessary reference for anyone interested in Krausism, the Spanish avant-garde, and Spanish history and culture at the turn of the twentieth century.

See more reviews and look inside the book.

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#MLA17 Events – Meet Cambria Press Series Editors and Authors

Cambria Press would like to invite #MLA17 attendees to join us for the following events:

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Meet Professor Román de la Campa
(University of Pennsylvania)

General Editor of the Cambria Studies in
Latin American Literatures and Cultures Series

Friday (January 6) at 5 p.m.
Cambria Press Booth 509, MLA Book Exhibit Hall

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Meet Professor Victor Mair
(University of Pennsylvania)

General Editor of the Cambria Sinophone World Series
Saturday (January 7) at 5:15 p.m
.
Cambria Press Booth 509, MLA Book Exhibit Hall

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* * * * *

Cosponsored Asian Studies Reception

Saturday (January 7) at 8:45 p.m
Room 411-412, Philadelphia Marriott

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Please also come visit us at the Cambria Press booth (509) in the book exhibit hall.

Friday ( January 6), 9 a.m.– 6 p.m.
Saturday (January 7), 9 a.m.– 6 p.m.
Sunday (January 8), 9 a.m.– 1 p.m.

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#MLA17

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Cambria Press Publication Review: The Sinophone Cinema of Hou Hsiao-hsien

Congratulations to to Dr. Christopher Lupke, Professor and Chair of the Department of East Asian Studies at the University of Alberta, on the outstanding review of his book, The Sinophone Cinema of Hou Hsiao-hsien, in the journal Modern Chinese Language and Cutlure (MCLC).

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The review praises the book because

“In plain, jargon-free language replete with astute insights garnered from decades of scholarly engagement with the films of Hou Hsiao-hsien and Taiwanese cinematic and literary culture, Lupke sets out to lift the veil of the technical finesse and structural ambiguity that enshrouds much of Hou’s oeuvre and frequently frustrates film spectators. In this endeavor alone, Lupke succeeds brilliantly. … Lupke not only demonstrates his astute familiarity with Hou Hsiao-hsien scholarship, which he critically engages with throughout the study, but also reveals his intense familiarity with lesser known yet highly insightful details about Hou’s relationship with his collaborators Zhu Tianwen and Wu Nianzhen. … Read more

Order The Sinophone Cinema of Hou Hsiao-hsien on Amazon today and get free shipping.

For more information, visit http://www.cambriapress.com.

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China’s Response to Territorial Disputes

The Economist recently reported that “the Permanent Court of Arbitration, an international tribunal in The Hague, has declared China’s “historic claims” in the South China Sea invalid. It was an unexpectedly wide-ranging and clear-cut ruling, and it has enraged China.” As the region and the United States anxiously await China’s response, Colonel Thomas Drohan’s new book, A New Strategy for Complex Warfare: Combined Effects in East Asia, provides useful insights in gauging China’s possible reactions.

East Asia Warfare Strategy

The book’s concept of combined effects warfare shows how Chinese strategy in East Asia is so effective against the combined arms-heavy approach of the US such as in recent “rebalancing,” relative weaknesses in the key US-Japan alliance and mounting Chinese capabilities account for the timing of Chinese actions; and Chinese security culture explains why China pursues a strategy of blending confrontation with cooperation. It explains contemporary China’s combined-effects approach to complex warfare, specifically which includes the kind of persistent reexpansion we are seeing in the South China Sea:

“Current operations seek to fragment rivals on China’s borders and occupy China-claimed territories with complex invasions…Party operations play an existential role in constructing and justifying both an intuitive moral order and a central authority. Major combined-effects offensives include:

  1. a) Military, economic, and political operations to reorient Taiwan toward the mainland
  2. b) Diplomatic partnering with the Soviet Union, then conducting ideological warfare against it
  3. c) Support of Vietnam, and then warfare against it to ensure cliental loyalty to China
  4. d) Seizure of disputed Southeast Asian territory while expanding ties with claimants
  5. e) Incursions in Japan-claimed territory while increasing ties with Japan and the U.S.
  6. f) Maritime reclamation (dredging) operations create, occupy, and militarize new territory.

China’s leaders value holistic, sustainable operations, consistent with the assumption that threats are permanent and any elimination of them are temporary…”

The book also explains how how the limitations of of the US-Japan alliance empower China’s combined-effect strategy in the South China Sea.

“However, the limits of the US-Japan alliance–such as restricting Japanese defense to its own territory– facilitate China’s desired combined effect. Thus, China does not have to integrate its problematic effects of masking its predatory intent while increasing its military-economic strength, stirring anti-Japanese nationalism that does not empower Chinese democracy, and isolating Japan from US intervention, as long as Japan and the United States are complying with these effects anyway.”

In addition, the book helpfully explains why China’s strategy emphasizes military and economic confrontation (in the South China Sea)– while at the same time claiming to be all about harmony and peace as China follows up the UN Tribunals ruling again them with threats to establish an ADIZ and use all of that to “negotiate” its expanding new normal.

“Chinese security culture can help us understand continuity in Chinese strategies and why elites cannot afford to fold in the face of foreign pressure if they are to retain domestic influence. Confrontational sovereignty claims trump tangible benefits of cooperative interdependence. Moral order, central authority, and territorial integrity persist as highly valued interests, particularly among China’s single-Party leadership. So while modernization has strengthened national capabilities, it has also increased national willpower. When China has had the capability to engage other powers as an equal or more, it has done so. We can infer that military equality is the PLA’s precondition for expanding military-to-military relations with the U.S. The loss of ideological sovereignty in the past has become the consensus threat to national security. Ideological sovereignty is closely connected to economic nationalism.”

A New Strategy for Complex Warfare: Combined Effects in East Asia is part of the  Rapid Communications in Conflict and Security (RCCS) Series, headed by Dr. Geoffrey R. H. Burn.

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Cambria Press New Publication: The Fiction of Thea Astley

Cambria Press is pleased to announce a new publication The Fiction of Thea Astley by Susan Sheridan.

This book is in the Cambria Australian Literature Series, headed by Dr. Susan Lever.

This book will be launched at the upcoming 2016 Association for the Study of Australian Literature conference hosted by UNSW Canberra at ADFA.

The following are excerpts from the new book.

Thea Astley

From the introduction:
“This oppositional stance—in relation to the Church, and in relation to the nation and the colonialism on which it was founded—fed into Astley’s critique of other social institutions and practices. Her work is driven by a moral revulsion against greed and corruption, against class prejudice and the cruelties practiced on social outsiders, against the racism of colonial dispossession and exploitation of Indigenous people, and against the presumption of male superiority and the physical and psychic violence practiced against women.”

From Chapter 3:
“By the time she published Beachmasters, in 1986, Astley had developed a political perspective on colonialism that allowed her to move beyond disillusionment with human relationships structured by marriage, or human relationship to the divine as structured by the Church, to a critique of the structures themselves. This novel takes colonialism as its subject, rather than assuming its presence, and depicts expatriates and indigenous people inhabiting the same socio-political space, drawing out the complications of hapkas familial and cultural identity. Such a perspective on power structures, as we shall see in later chapters, comes to inform her representation of gender and sexual relations as well as colonial race relations, providing a strong intellectual foundation for her intensely imagined fictions.”

From Chapter 7:
“With Drylands, her final novel, Astley returns to the present day and a setting in a small north Queensland inland town of that name. […]The stories are framed by the narrative of Janet Deakin (a name suggesting she is a descendant of one of Australia’s founding fathers, Alfred Deakin) […] The stories, including Janet’s own, are all tales of violence, of behavior which ranges from the verbal sneers that Janet suffers, through to domestic violence and attempted rape. Another woman is victim not to violence but to domestic servitude to her husband and six sons. In this book, Astley’s feisty feminist barbs at marriage as an institution of male privilege and female slavery recur (‘Is it a boy or a drudge?’ asks Janet’s mother when she is born, 103) but the predominant theme is masculine violence.”

Buy The Fiction of Thea Astley on Amazon.

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Cambria Press Book Launch: Pedro Zamora, Sexuality, and AIDS Education

Cambria Press is proud to announce the publication of Pedro Zamora, Sexuality, and AIDS Education: The Autobiographical Self, Activism, and The Real World by Christopher Pullen. We are honored that the book will be launched on June 14 at the GLBT Historical Society Archives and Museum. Dr. Pullen will be flying into San Francisco for the event to speak about his book.

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Pedro Zamora was an openly gay AIDS activist of Cuban descent, who became a worldwide media phenomenon, particularly after his participation in The Real World television documentary series, set in San Francisco in 1994, where he openly represented his life as a person living with AIDS. Although Zamora passed away the same year he was on The Real World at only twenty-two years old, his life story continues to be an important contribution to contemporary debates on AIDS education, given how he was such an icon for sexual diversity.

Offering a comprehensive biographical narrative which brings together a wide range of media sources, including not only close examination of The Real World television series itself, the biographical film Pedro, educational documentaries to which Zamora contributed, and news reports from The Miami Herald, The Wall Street Journal, and POZ Magazine, key elements of Zamora’s story are brought together for the first time.

Chris Holmlund, Arts and Sciences Excellence Professor of Cinema Studies, Women’s Studies and French, University of Tennessee; and author of Impossible Bodies, praises the book:

“Documenting gay Cuban American activist Pedro Zamora’s appearances onscreen, in person, and in print, Pedro Zamora, Sexuality, and AIDS Education reflects on the power of mediated autobiography and testifies to the ongoing importance of working together to combat HIV/AIDS and injustice. Informed by the assessments of 1980s and 1990s AIDs activism offered by Alex Juhasz, José Esteban Muñoz, Simon Watney, Roger Hallas, Randy Shilts, Paul Monette, Marlon Riggs, and others, Pullen’s study details how the good-looking Zamora became a skilled educator who excelled at reaching out to youth, especially queer youth, and people of color. Diagnosed as HIV-positive at the age of seventeen, Zamora learned how to be charismatically convincing, conjoining vulnerability, transparency, sincerity, warmth and strength. His articulately “out” role on MTV’s 1994 reality show, The Real World: San Francisco, was a highlight; sadly, he died that same year, aged only twenty-two. Kudos to Pullen for so eloquently marshaling Pedro Zamora’s life, work, and love, for the present, toward the future.”

This book is in the Cambria Global Performing Arts Series headed by John M. Clum (Duke University).

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