“Nino, as we called him, was always ready to share his insights into the cosmopolitan world of the Tang dynasty; he eagerly imparted his knowledge about the Buddhist connections between Tang China and other parts of Asia; and he graciously offered to us his publications, including those that were forthcoming or still at the formative stage. His advice and suggestions invariably improved our research skills and knowledge of Chinese history. His kindness and generosity also helped us better navigate the world of scholarship as well as daily life in Kyoto. Nino Forte was one of the leading global scholars of Tang China.”
Top (left to right): Wilt Idema (Harvard University), Victor Mair (University of Pennsylvania), Wendy Larson (University of Oregon), Mark Bender (The Ohio State University), and Charlotte Furth (University of Southern California).
Bottom (left to right): Zhansui Yu (Nazareth College), Christopher Lupke (University of Alberta), Takayoshi Yamamura (Hokkaido University), I-Hsien Wu (City College of New York), and Philip Seaton (Hokkaido University).
Professor Victor Mair (University of Pennsylvania) will make a special appearance at the Cambria Press booth (109) on Friday (March 17) at 11 a.m. to discuss the Cambria Sinophone World Series and his latest book Buddhist Transformations and Interactions. In addition, six other new books are being launched just in time for the AAS conference. These are:
“Larson’s book is important for any reader interested in how the political sphere and visual culture redefine each other.” —Yomi Braester, University of Washington; and Coeditor, Journal of Chinese Cinemas
“When it comes to other books on the market, there is nothing close to this book in terms of quality or range of material. This is a unique and valuable addition to the field of literature and Asian studies.”—Jonathan Stalling, University of Oklahoma; and Editor, Chinese Literature Today
“I-Hsien Wu has done brilliant work in teasing out the intertextual threads of The Story of the Stone. In a very astute manner, she examines sources drawn from performing arts and erotic fiction, identifies ideological and affective contestations, and ponders the consequences of the novel as a text in flux.” —David Der-wei Wang, Harvard University
“This thoughtful book offers fresh insights into avant-garde fiction in the early decades of China’s reform. Engaging Chinese and Western traditions, Yu Zhansui argues forcefully that the Chinese avant-garde carries on the probe into the darkness of history in a quest for transcendent truths about human conditions.” —Ban Wang, Stanford University
“Few Americans today have any sense of how far China has come since its opening in the early 1980s. Charlotte Furth was there to see the start of the defrost with the country’s opening and her lively account of her experiences in China then provides a unique and invaluable record. It is useful in these days of rising tensions between China and the U.S. to be reminded of China’s social reality not very long ago.” —Gordon H. Chang, Stanford University
“This may be the best book ever written on tourism in Japan! This work is on one of the most important subjects in contemporary tourism studies and Japan studies, perhaps a forerunner of things that are also happening in the Korean and Chinese worlds and elsewhere, which makes it doubly important.” —Nelson Graburn, UC Berkeley
One of the best moments at #MLA17–when Professor Christian Rubio sees his book Krausism and the Spanish Avant-Garde for the first time!
Mark P. Del Mastro, Chair and Professor of Hispanic Studies of the College of Charleston, notes:
Christian Rubio provides a refreshing, clearly articulated and well-researched study on the impact of Krausism on Spain and the avant-garde movement via the notion of ‘Europeanization,’ while he challenges traditional critical trends that persist with categorizing Spanish literature within generations. In addition, Rubio devotes a much-needed, entire chapter on Krausism’s impact on Spanish women, while at the same time underscoring the importance of the often overlooked contributions by Rosario Acuña and Carmen de Burgos. This important book is a necessary reference for anyone interested in Krausism, the Spanish avant-garde, and Spanish history and culture at the turn of the twentieth century.
Congratulations to Professor John Burns on yet another outstanding review of his book Contemporary Hispanic Poets! The Rocky Mountain Review commends the book, stating that “”Far from an innocent cultural trifle, poetry contributes to the fundamental cultural debates of our time. With this volume, Burns likewise contributes to the fundamental cultural debate of our time,…” Read more and browse the book online at http://ow.ly/U6Nr307l7aY
“With great courage, sharp intuition and professional dedication they have tackled some of the most controversial issues of historical revision and imaginative projection linked to the slave trade all over the world. While stressing the central role of slavery in the affirmation of Euro-American modern capitalistic society, they give space to the dignity and validity of long time ignored acts of memory produced in different fields by people of African descent. The importance attributed by them to these narratives in both written or visual form, are now shown as a dialogic and no less important counterpart to the over-publicized acts of memory written by representatives of the Euro-American hegemonic platform. Through the analysis of a large sample of writings, fiction and non-fiction, films, photographs, popular culture, the authors, a group of renown scholars and artists, question the legitimacy of the kept records, showing that the problem, as William Styron maintained, is not just how to portray the history of slavery, but how ‘to wrestle with the incomplete project of freedom.’
“What appears particularly relevant in this collection is the methodological approach, a complex, comparative, transnational gaze that rightly pulls down the ideal boundaries of nation and continent, North and South America, Brazil and West Africa, and above all French, Spanish and English Caribbean – where, it should be remembered, the slave trade registers its highest peak – allowing them to shed light on the multiple ways in which difference builds up a privileged path to artistic productions. The mechanics of how slavery affected the intercultural, inter-human, inter-linguistic exchanges between different peoples finds in this broad discussion one of the best possible readings, where the textual and the meta-textual crisscross and contaminate each other; a modern approach that ignores stale categories, narrow paradigms, prefigured evaluations.”
“The fluidity achieved between disciplines, territories, languages, anthropological characterizations is happily harmonized with a captivating style, that accrues the meaning of the research and the pleasure of reading.”
This interdisciplinary study, written in a highly accessible style, will have both specialists and nonspecialists appreciating it for how it vividly brings to life the terror inflicted by the state on its people and how it continues to affect them. Tying sociology with history, psychology, and politics, this book will not only add depth to the fields of culture and memory studies but also broaden the scope of understanding for literary works which weave in trauma of Latin American history.
“A groundbreaking study for anyone interested in crimes against humanity and their haunting transgenerational legacy.” —GABRIELE M. SCHWAB, Chancellor’s Professor, University of California, Irvine
Dr. Fried will speak about her book
at the special LASA author session
on Sunday morning
(May 29) at 9:45 a.m. in the book exhibit hall at the Hilton.
“An interesting, enjoyable and instructive example to other nations and cultures about how the powerful get to tell everyone else what their culture is even if the evidence doesn’t support it.” —Sounds and Colours
“Innovative in its transatlantic scope, and is a valuable contribution to attempts to reconsider the role and status of the poet in globalized-—and especially neoliberal-—socioeconomic context.” —A contra corriente
“Una recomendable monografía para aquellos que quieran profundizar en el cine y la Argentina de los dos primeros mandatos de Perón (1946–55) … Thompson cita numerosas y relevantes fuentes a lo largo de todo el volumen, que servirán para apoyar sus argumentos, así como para ilustrar sus ejemplos.” —Hispania
“It is entirely revitalizing to see a work devoted to the Central American avant-garde that both grounds its focus critically and keeps its focus on both the aesthetics and politics that grounded the literary production of the vanguardia in the early 20th century. A very welcomed addition to the corpus of writings on the avant-garde, valuable to students and scholars of Central American literature,and those studying the avant-garde from any region.” —A contra corriente
“Carefully researched and generously illustrated, Lauren Beck’s book offers a thorough study of primary sources, both textual and visual, on the cultural construction of the enemy in Spanish culture. … The case of Spanish culture is particularly interesting because the Spaniards have been active in the creation of stereotypes of their enemies and at the same time they have been the object of similar processes of cultural construction by other European nations.” —Bulletin of Hispanic Studies
“Offers insightful and nuanced interpretations of selected canonical Chicana writers … focused on the interlocking structure of discriminatory discourses of classism, racism, sexism, and homophobia. Indeed, her discussion of queer Chicana motherhood and patriarchal heterosexism … offers a very productive model for critically embedding queer representations of sexual and gender formation in the context of allied ‘straight’ texts.” —Contemporary Women’s Writing
This book will push understandings of membership and identities in Africa and the African diaspora forward though unique and insightful discussions on Pan-Africanism and African freedom, British colonialism and African spaces, the politics of Brazilian baianas, linguistic and cultural Africanisms in the Caribbean, identities in postcolonial francophone literature, and much more.
“The memory of slavery and the slave trade has strongly influenced how history is understood. What is remembered and why are clearly identified as major historical themes of analysis in this valuable collection.” —Canadian Journal of Latin American and Caribbean Studies
“With great courage, sharp intuition and professional dedication the editors have tackled some of the most controversial issues of historical revision and imaginative projection linked to the slave trade all over the world … Praise be to them for gathering such a relevant instrument of research, and for opening new perspectives in the field.” —European Journal of American Studies
Integrating research from the various fields of humanities and social sciences is more important than ever, which is why Cambria series are interdisciplinary. Click on each series link to see the books in the series.