Cambria Press is proud to highlight the much-anticipated book, Situational Poetics in Robert Henryson’s The Testament of Cresseid, by Nickolas A. Haydock that was published and is already receiving rave reviews from prominent scholars in the field.
As Professor Stefan Hall puts it, “Robert Henryson deserves his exalted place in the ranks of the greatest Scottish writers, yet Professor Haydock’s book also situates Henryson in relation to English and Classical greats, worthy to be measured alongside Geoffrey Chaucer, Aesop, Boethius, and even Virgil. All in all, Haydock’s book takes its position alongside the very best studies of Robert Henryson and eclipses most if not all of them. Situational Poetics is a sophisticated and nuanced study of one of Scotland’s greatest poets and should prove engaging and invaluable to anyone studying the literature of late-medieval Britain.”
Come to the Cambria Press booth #601 at the MLA annual convention book exhibit hall to review this brilliant book!
The Cambria Contemporary Literature, Film, and Theory Series is critically innovative, diverse in subject matter, and challenging to existing critical frames. Proposals that engender progressive debate in the fields of literary and/or cultural theory are welcome, as are author-specific or filmmaker-specific studies that deal with their subjects in critically original ways. The series does not align itself to any one particular critical or cultural frame; rather it reflects an aspiration to move beyond the limits of singular categories in order to explore how many ways of reading can intersect in fruitful ways. The general editor is Professor Neil Murphy of Nanyang Technological University.
The following is a sample list of authors of interest:
||Gabriel Garcia Marquez
Manuscripts on filmmakers, particularly those who have perpetually expanded the aesthetic horizons of their medium and who have contributed to an ever-expanding filmic vocabulary, are also welcome.
Books that have been published in this series include:
- Reading Blindly: Literature, Otherness, and the Possibility of an Ethical Reading by Jeremy Fernando
- The Sex Goddess in American Film, 1930–1965: Jean Harlow, Mae West, Lana Turner, and Jayne Mansfield by Jessica Hope Jordan
- Reading Literature After Deconstruction by Robert Lumsden
- Identity in Doris Lessing’s Space Fiction by David Waterman
- Narrating the Prison: Role and Representation in Charles Dickens’ Novels, Twentieth-Century Fiction, and Film by Jan Alber
- Seductions in Narrative: Subjectivity and Desire in the Works of Angela Carter and Jeanette Winterson by Gemma López
- Naguib Mahfouz: A Western and Eastern Cage of Female Entrapment by Pamela Allegretto-Diiulio
- Don DeLillo, Jean Baudrillard, and the Consumer Conundrum by Marc Schuster
Inquiries should be directed to email@example.com.
Learn more about this series at the MLA annual convention (http://www.mla.org/convention).
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The Cambria Australian Literature Series focuses on critical studies of writing by Australians, with a particular emphasis on contemporary Australian fiction. In recent decades Australian fiction publishing has outstripped critical study, with the work of many important writers receiving little more critical attention than newspaper and journal reviews, with occasional articles in scholarly journals or collections by diverse critics. This series gives an opportunity for sustained consideration of a writer’s full career. In each book, an individual critic engages with the work of a writer, assisting other scholars, students and general readers in understanding its complexities. Each book seeks to find an appropriate, original and lively approach to the writer in question. In particular, the series places the writing not only within Australian culture but also in the context of international developments in the novel.
Cambria Press’s first critical monograph on Australian writing was Jean-Franḉois Vernay’s Water from the Moon: Illusion and Reality in the Works of Australian novelist Christopher Koch. In 2008 it moved to establish the series under the general editorship of Dr Susan Lever. So far the series has published critical books on the Australian novelists, David Foster and Brian Castro—Susan Lever’s David Foster: the Satirist of Australia (which was shortlisted for the prestigious Walter McRae Russell Award) and Bernadette Brennan’s Brian Castro’s Fiction: the Seductive Play of Language. In 2012 the books that will be published in this series include Professor Michael Ackland’s study of Murray Bail’s fiction and Dr Brigitta Olubas’s work on the novels of Shirley Hazzard. New studies of David Malouf, Helen Garner, Roger McDonald, Frank Moorhouse, Michael Wilding and Alex Miller are in preparation.
We are interested in proposals for book-length considerations of individual Australian writers with established reputations. In particular, we would welcome proposals on the fiction of Carmel Bird, Robert Drewe, Kate Grenville, Eva Hornung, David Ireland, Elizabeth Jolley, Andrew McGahan, Gerald Murnane, Kim Scott, Christos Tsiolkas and Tim Winton. We will also consider proposals with wider and more general scope, ones that provide an interesting and accessible reading of aspects of Australian writing.
The general editor of the series is Professor Susan Lever, who has been awarded with life membership of ASAL (Association for the Study of Australian Literature) for her “outstanding contribution to ASAL and to the scholarship of Australian literature more broadly.”
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Happy New Year to one and all! Cambria Press is pleased to kick off 2012 with the countdown to the 127th MLA annual convention in Seattle!
Cambria Press will be at booth 601 in the book exhibit hall, so please be sure to drop by.
Over the next few days leading up to the annual convention, Cambria Press will be posting updates on the Cambria website, facebook, blog, twitter, and google+ pages. Please be sure to check these out for exciting book series highlights as well as important information for your libraries and students.
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Happy holidays to one and all from Cambria Press!
Cambria Press wishes to thank the Cambria Press authors for their excellent work.
A special note of gratitude goes to the series editors of Cambria Press and all who have worked so hard to make this year such a good one.
Happy holidays and here’s to an even better year for everyone in 2012!
New Book from Cambria Press! Victorian Literature and Film Adaptation
“Not your grandmother’s Victorians”!
So says Professor Thomas Leitch (University of Delaware) in his brilliant introduction of the latest publication by Cambria Press, Victorian Literature and Film Adaptation, an insightful volume of edited essays that not only builds on major film theory and also on critical and theoretical work specifically about Victorian film and television adaptations, such as The English Novel and the Movies (1981), edited by Michael Klein and Gillian Parker, and Victorian Afterlife (2000), edited by John Kucich and Dianne Sadoff, but the book also expands the field to include source texts from the long nineteenth century, beginning with Jane Austen and ending with Joseph Conrad.
Editors Abigail Bloom and Mary Sanders Pollock also extend the boundaries set by other collections by including responses to movies based not just on novels, but also on drama (Lady Windemere’s Fan by Oscar Wilde), short stories (“The Return” by Joseph Conrad), and poetry (“The Pied Piper” by Robert Browning)—and not just on literary and popular culture canons, but on lesser known works.
Learn more about this fascinating work, which is essential for library collections in Victorian literature and film studies, at the Cambria Press website, http://www.cambriapress.com.
Cambria Press will be providing a generous 30% discount to all MLA attendees and their libraries, so stop by the Cambria Press booth to pick up your coupon. This is valid only for direct orders to Cambria Press.
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Historical Portraits of Women Home Scientists: The University Of New Zealand, 1911–1947
Cambria Press authors Professor Tanya Fitzgerald (La Trobe University) and Professor Jenny Collins (Unitec Institute of Technology) will have their book launch for Historical Portraits of Women Home Scientists: The University Of New Zealand, 1911–1947 at the Australia and New Zealand History of Education Society international conference at the University of Auckland on December 6, 2011.
There will be a public lecture and this will be hosted by the president of Australia and New Zealand History of Education Society, Dr. Josephine May. The event will be launched by Professor Elizabeth Smyth of the University of Toronto.
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