Cambria Press Publication Review – The Immortal Maiden Equal to Heaven and Other Precious Scrolls from Western Gansu

Congratulations to Professor Wilt Idema (Harvard University) on the great review of his book, The Immortal Maiden Equal to Heaven” and Other Precious Scrolls from Western Gansu.

Wilt Idema

The Journal of Chinese Religions praises the book, noting that “this addition to a growing body of premodern popular Chinese literature in translation, much of it also by Idema, is something to be celebrated. Books like these provide a welcome source of variety for those of us who regularly teach undergraduates and hope to broaden our students’ understanding of Chinese literature beyond the highlight reel of the Shijing, Tang poetry, and six great novels of the Ming and Qing. … there remains incredible value in making obscure, yet compelling, stories such as these available to non-native Chinese readers.”

This book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania).

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Cambria Press Publication Review – The Borderlands of Asia

Congratulations to Professor Mark Bender (The Ohio State University) on the great review of his book, The Borderlands of Asia: Culture, Place, Poetry. #AAS2018

Mekong Review commends the book because “this is an anthology designed to get the poetry out there in an accessible and engagingly informative format.”

The review notes that The Borderlands of Asia is “also a pragmatic handbook. The introduction lays out a heuristic framework for Bender’s reading of the texts that form the bulk of the book. … A substantial bibliography makes it clear that Bender isn’t just pursuing a line of his own, but rather is crystallising a particular geographical instance — the ‘borderlands’ — of a larger and growing body of academic interest, the role of poetry in its ethnographic and ecological context.”

This book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania).

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#MLA18 Meet the Author Session: Christopher Lupke

Meet Dr. Christopher Lupke, Professor and Chair of the Department of East Asian Studies, University of Alberta; and author of the highly acclaimed The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion; on Friday (January 5) at 11:40 a.m. at the Cambria Press booth (101).

#MLA18

This book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania) and the Cambria Global Performing Arts Series headed by John M. Clum (Duke University).

After the publication of his book, Dr. Lupke was invited to join the editorial board of the Cambria Sinophone World Series.

Given his experience as an author and editorial board member, this will be a great opportunity for #MLA18 attendees who have questions about his book and the publishing process (e.g., proposals, peer reviews, publication acceptance, etc.).

Dr. Lupke also sits on the editorial boards of PMLA, asia critique, Journal of Modern Literature in Chinese, CLT: Chinese Literature Today, Rocky Mountain Review, and Pacific Coast Philology.

Dr. Lupke will be participating in the following #MLA18 sessions:

 

 

 

Cambria Press Publication Review: The Sinophone Cinema of Hou Hsiao-hsien

Congratulations to Professor Christopher Lupke on the excellent review of his book, The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion, by Film International, which praises it for being

a well-informed book straddling between the disciplines of Chinese Studies and Film Studies and is highly relevant to film buffs, sinophiles, film researchers, and students.

The review notes that Lupke’s book:

provides Chinese-speaking readers a cinematic approach to Hou’s well-known and less well-known works and non-Chinese speaking readers a holistic view on Hou’s works and a window into Chinese-language scholarship on Hou. By detaching Hou Hsiao-hsien’s works from the frequently-used framework of European arthouse tradition, the book strives to move away from a Eurocentric view and delves deep into film texts. Plot summary is detailed; historical settings and socio-political undertone are foregrounded.

The review also commends the book because

The ambition of balancing between Chinese Studies and Film Studies and between textual analysis, contextual information, and theoretical discussion is also rather difficult to achieve. Yet the book remains an enjoyable read for lovers of Hou’s films and a comprehensive and informative guide to the sinophone world of Hou Hsiao-hsien; it bridges the scholarship on Hou in English and Chinese and embraces Hou’s oeuvres in its entirety.

This book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania) and the Cambria Global Performing Arts Series headed by John M. Clum (Duke University).

Hou Hsiao-hsien

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AAS 2017 Toronto: Books and Scholars in Asian Studies to Watch

AAS 2017 Cambria Press Authors

Check out the new books by these Asianists at the Cambria Press booth 109 at the Association for Asian Studies, Inc. (AAS) #AAS2017 conference in Toronto.

Top (left to right): Wilt Idema (Harvard University), Victor Mair (University of Pennsylvania), Wendy Larson (University of Oregon), Mark Bender (The Ohio State University), and Charlotte Furth (University of Southern California).

Bottom (left to right): Zhansui Yu (Nazareth College), Christopher Lupke (University of Alberta), Takayoshi Yamamura (Hokkaido University), I-Hsien Wu (City College of New York), and Philip Seaton (Hokkaido University).

Professor Victor Mair (University of Pennsylvania) will make a special appearance at the Cambria Press booth (109) on Friday (March 17) at 11 a.m. to discuss the Cambria Sinophone World Series and his latest book Buddhist Transformations and Interactions. In addition, six other new books are being launched just in time for the AAS conference. These are:

  • Zhang Yimou by Wendy Larson (University of Oregon)

    “Larson’s book is important for any reader interested in how the political sphere and visual culture redefine each other.” —Yomi Braester, University of Washington; and Coeditor, Journal of Chinese Cinemas

  • The Borderlands of Asia by Mark Bender (The Ohio State University) 

    “When it comes to other books on the market, there is nothing close to this book in terms of quality or range of material. This is a unique and valuable addition to the field of literature and Asian studies.”—Jonathan Stalling, University of Oklahoma; and Editor, Chinese Literature Today

  • Eroticism and Other Literary Conventions in Chinese Literature by I-Hsien Wu (CUNY) 

    “I-Hsien Wu has done brilliant work in teasing out the intertextual threads of The Story of the Stone. In a very astute manner, she examines sources drawn from performing arts and erotic fiction, identifies ideological and affective contestations, and ponders the consequences of the novel as a text in flux.” —David Der-wei Wang, Harvard University

  • Chinese Avant-garde Fiction by Zhansui Yu (Nazareth College) 

    “This thoughtful book offers fresh insights into avant-garde fiction in the early decades of China’s reform. Engaging Chinese and Western traditions, Yu Zhansui argues forcefully that the Chinese avant-garde carries on the probe into the darkness of history in a quest for transcendent truths about human conditions.” —Ban Wang, Stanford University

  • Opening to China by Charlotte Furth (Univerity of Southern California) 

    “Few Americans today have any sense of how far China has come since its opening in the early 1980s. Charlotte Furth was there to see the start of the defrost with the country’s opening and her lively account of her experiences in China then provides a unique and invaluable record. It is useful in these days of rising tensions between China and the U.S. to be reminded of China’s social reality not very long ago.” —Gordon H. Chang, Stanford University

  • Contents Tourism in Japan by Philip Seaton, Takayoshi Yamamura, Akiko Sugawa-Shimada, and Kyungjae Jang

    “This may be the best book ever written on tourism in Japan! This work is on one of the most important subjects in contemporary tourism studies and Japan studies, perhaps a forerunner of things that are also happening in the Korean and Chinese worlds and elsewhere, which makes it doubly important.” —Nelson Graburn, UC Berkeley

Taika square sneak peek

Take a sneak peek at the Cambria Press Asian studies catalog

Taika square book sales

Use coupon code AAS2017 at http://www.cambriapress.com to save 30% on all hardcover titles. Offer ends May 15, 2017.

Taika square book

Forthcoming book in the Cambria Rapid Communications in Conflict and Security Studies (RCCS) Series headed by Dr. Geoffrey R. H. Burn

Taika square BAG

Come to booth 109 to get a complimentary Cambria Sinophone World Series tote bag

Taika Big Banner.jpg

Taika square dessert

Sheraton Toronto Churchill Room

#MLA17 Events – Meet Cambria Press Series Editors and Authors

Cambria Press would like to invite #MLA17 attendees to join us for the following events:

mla17-invitaton

Meet Professor Román de la Campa
(University of Pennsylvania)

General Editor of the Cambria Studies in
Latin American Literatures and Cultures Series

Friday (January 6) at 5 p.m.
Cambria Press Booth 509, MLA Book Exhibit Hall

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Meet Professor Victor Mair
(University of Pennsylvania)

General Editor of the Cambria Sinophone World Series
Saturday (January 7) at 5:15 p.m
.
Cambria Press Booth 509, MLA Book Exhibit Hall

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* * * * *

Cosponsored Asian Studies Reception

Saturday (January 7) at 8:45 p.m
Room 411-412, Philadelphia Marriott

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Please also come visit us at the Cambria Press booth (509) in the book exhibit hall.

Friday ( January 6), 9 a.m.– 6 p.m.
Saturday (January 7), 9 a.m.– 6 p.m.
Sunday (January 8), 9 a.m.– 1 p.m.

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Cambria Press Publication Review: The Sinophone Cinema of Hou Hsiao-hsien

Congratulations to to Dr. Christopher Lupke, Professor and Chair of the Department of East Asian Studies at the University of Alberta, on the outstanding review of his book, The Sinophone Cinema of Hou Hsiao-hsien, in the journal Modern Chinese Language and Cutlure (MCLC).

hou-hsiao-hsien

The review praises the book because

“In plain, jargon-free language replete with astute insights garnered from decades of scholarly engagement with the films of Hou Hsiao-hsien and Taiwanese cinematic and literary culture, Lupke sets out to lift the veil of the technical finesse and structural ambiguity that enshrouds much of Hou’s oeuvre and frequently frustrates film spectators. In this endeavor alone, Lupke succeeds brilliantly. … Lupke not only demonstrates his astute familiarity with Hou Hsiao-hsien scholarship, which he critically engages with throughout the study, but also reveals his intense familiarity with lesser known yet highly insightful details about Hou’s relationship with his collaborators Zhu Tianwen and Wu Nianzhen. … Read more

Order The Sinophone Cinema of Hou Hsiao-hsien on Amazon today and get free shipping.

For more information, visit http://www.cambriapress.com.

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